JJ 06/70: Herbie Hancock – The Prisoner

A review by Mike Shera, first published in Jazz Journal June 1970

Herbie Hancock’s excellent series of Blue Note albums continues with The Prisoner, where he has chosen to write for a nine- or eleven-piece group. His writing is fresh and inspiring, though not very close to that of Gil Evans, whose work he says he admires so much.

His aims are similar (often fairly simple melodies with complex chord struc­tures, played by unusual combinations of instruments) though the sound is very dif­ferent. Like Evans he leaves plenty of space for his soloists, Johnny Coles, Joe Henderson and Garnett Brown.

Advertisement

The ideas behind the music are mostly con­cerned with Blacks, yet Hancock manages to convey the feelings without resorting to the ugly sounds of the ‘new thing’. I Have A Dream is, not unexpectedly, dedicated to the memory of Martin Luther King.

The implica­tions of the title tune hardly need comment, whilst Buster Williams contrasts the fire of violence with the ‘water’ of Dr. King. The latter is also the ‘he’ of He Who Lives In Fear, whilst Hancock sees The Promise of the Sun as freedom to all living things, but not as yet to Blacks.

Non-commercial new recordings from Blue Note are not that frequent that one can afford to pass up one so good as this.
Mike Shera

Discography
(a) I Have A Dream; The Prisoner (19 min) – (b) Firewater; (a) He Who Lives in Fear; (b) Promise Of The Sun (22 min)
(a) Johnny Coles (fgl-h); Garnett Brown (tbn); Tony Studd (bs-tbn); Herbert Laws (flt); Jerome Richardson (bs-clt); Joe Henderson (ten/flt); Herbie Hancock (pno/elec-pno); Buster Williams (bs); Albert “Tootle” Heath (dm). NYC. 18, 21, 23/4/69. (b) Jack Jeffers (bs-tbn); Romeo Penque (bs-clt) added; Richardson also plays (flt) same dates.
(Blue Note BST 84321 47s 6d)

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Florian Hartz’ Flo & Fauna – Wald: Live

The emergence of a generation of artists influenced more by Snarky Puppy than the 70s pioneers of jazz-funk is a sobering perspective on the...
Advertisement

Still Clinging to the Wreckage 12/19

The coffee lounge of Liverpool’s Adelphi Hotel is designed to strike awe into all but cabinet ministers and the most eminently U. But in Mr...
Advertisement

Chris Spedding: living life backwards /2

Shortly after the release of Mantle Piece, Chris Spedding was approached by trumpeter Ian Carr to join jazz/rock combo Nucleus. The band was completed...
Advertisement

Free Music Production – FMP: The Living Music

American free improvisation linked itself to early jazz, but the European variety rejected the past and arguably was no longer jazz at all
Advertisement

Ma Rainey’s Black Bottom

The film is not a biopic of Ma Rainey – if such a thing were ever possible. There could be few musicians as complicated as her
Advertisement

JJ 07/75: Mike Westbrook – Citadel/Room 315

Fifty years ago, Barry McRae hailed the excellent soloists and exciting writing in a session that would help erase the memory of Solid Gold Cadillac