John DiMartino: Passion Flower – The Music Of Billy Strayhorn

In brief:
"Do you attempt to create a new version 'in-period', or in a contemporary idiom? Pianist John Di Martino has chosen the latter and largely succeeded"

It’s tricky. “The music of”, when followed by the name of a well-known jazz composer, raises certain expectations. It doesn’t just mean “some tunes by”, which is the case when it refers to the average songwriter. You expect something of the personality, the unique spirit of the composer in question to survive in the new version.

Things get even trickier when, as is the case with Billy Strayhorn, the composer has been dead for more than half a century. Do you attempt to create a new version “in-period”, or in a contemporary idiom? Pianist John Di Martino has chosen the latter and largely succeeded. His own piano style is light, fluent and based harmonically on the style of Bill Evans.

Advertisement

He first encountered Strayhorn’s music at age 15 and has had a particular fondness for it ever since. Leading an excellent quartet, he’s not afraid of recasting pieces; Daydream, for instance, becomes a waltz and Absinthe acquires a Latin beat, but it’s subtle and there’s a knowing wink behind it.

There’s also one laugh-out-loud joke. Perhaps wondering what he could possibly so with Take The A Train, Di Martino makes it solos all round, with the famous melody appearing at the end as eight breakneck bars, followed by what sounds like a train crash. At the other extreme, the album’s single vocal is Lush Life (allegedly the most difficult item in the Great American Songbook), beautifully sung by Raul Midón.

The band swings effortlessly throughout. Eric Alexander is, as usual purposeful without a hint of bravado, and Lewis Nash shares exactly the same quality. This is the first I have heard of Boris Kozlov, but I’m sure we shall hear a lot more of him before long – such firmness, such depth of tone!

And, yes, the ghost of Sweet Pea does flicker into view occasionally, particularly in Chelsea Bridge and Di Martino’s closing solo version of Lotus Blossom.

Find out more about John DiMartino: Passion Flower – The Music Of Billy Strayhorn at johndimartino.com.

Discography
Johnny Come Lately; Lush Life; Rain Check; Star-Crossed Lovers; Isfahan; Chelsea Bridge; Daydream; Passion Flower; UMMG; Blood Count; Take The A Train; A Flower Is A Lovesome Thing; Absinthe; Lotus Blossom (62.08)
DiMartino (p); Eric Alexander (ts); Boris Kozlov (b); Lewis Nash (d); Raul Midón (v). NYC 17 July 2019.
Sunnyside SSC4114

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Larry Newcomb Quartet: Love Dad

Judging by its title and the cover photo depicting Newcomb and his bass playing son Jake, the main sales pitch of this release is...
Advertisement

Obituary: Ethel Ennis

Although Ethel Ennis had a long career it was not as glittering as her rich talent deserved. Indeed, after early prominence she drifted out...
Advertisement

Sue Raney: legendary LA songstress /1

Pity the City of the Angels. With its reputation for smog, traffic congestion and urban blight threatening to overpower its gentler amenities, California's largest...
Advertisement

Sax Expat: Don Byas

As many readers will know, Don Byas was something of an enigmatic and elusive figure in jazz. As one of the leading and most...
Advertisement

Bullets and Ballads: Pete Kelly’s Blues

When film music historians discuss the increasing influence of jazz on movie soundtracks through the 1940s and into the 1950s, they usually mention films...
Advertisement

JJ 03/83: Albert Mangelsdorff – Solo

Forty years ago, Barry McRae noted the German trombonist did not need a rhythm section and saw him as one of the finest players in the world
"Do you attempt to create a new version 'in-period', or in a contemporary idiom? Pianist John Di Martino has chosen the latter and largely succeeded"John DiMartino: Passion Flower - The Music Of Billy Strayhorn