Clairdee: A Love Letter To Lena

In brief:
"It appears that Clairdee is moving toward the creation of a full-length show tracing Horne’s life. That being so, she has set herself a difficult task. Based on what is heard here, she will achieve her objective"

Hailing from Tucson, Clairdee is a singer with three previous albums to her credit. She is also a teacher, in which capacity she has taught vocal jazz at the University of California, Berkeley, and Diablo Valley College. Currently resident in the Bay Area, she teaches at the San Francisco Conservatory of Music and also with the San Francisco Symphony’s education department. She also sings with small groups and big bands in the Bay Area.

As is apparent from the title, this album is a tribute to Lena Horne. Interspersed among the songs are spoken passages, some drawn from Horne’s words, written and spoken in concert, others from Clairdee’s thoughts. Always relevant, these moments are brief, totalling less than five minutes.

Advertisement

The structure of the album follows that of Horne’s one-woman show in which she traced her career in New York and Hollywood, touching upon friendships and hardships encountered along the way. The friendships include that with Billy Strayhorn, who wrote Maybe for her. Among the hardships is her treatment when making films in which she had to appear in isolated scenes that could be cut from screenings in the Deep South and in which, anyway, she could not appear in equality with white actors.

In the early 1960s, Horne’s strength of character became apparent through her involvement with the Civil Rights movement, a period reflected here with Stand Up, written for Clairdee by Marcus McLaurine and Keva Singletary Youngblood. That excepted, all the songs are associated with or reflect upon Horne. Especially notable is another of Strayhorn’s, Something To Live For, which has an excellent solo by violinist Regina Carter. There is also a moving performance of Sometimes I Feel Like A Motherless Child, with Clairdee accompanied only by pianist Jon Herbst.

It appears that with this album, Clairdee is moving toward the creation of a full-length show tracing Horne’s life. This prompts a personal note as back in the early 1980s I was fortunate enough to attend Lena Horne’s one-woman show. It proved to be an extraordinary and memorable musical evening. That being so, Clairdee has set herself a difficult task. Based on what is heard here, she will achieve her objective.

Hear/buy Clairdee: A Love Letter To Lena at clairdee.com

Discography
Old Devil Moon; Home (spoken); I Got A Name; Maybe; Hollywood (spoken); Sometimes I Feel Like A Motherless Child; Seminar With Drinks (spoken); I Want To Be Happy; Soul Mates (spoken); Something To Live For; I’m Free (spoken); Believe In Yourself; The Movement (spoken); Stand Up (36.53)
Clairdee (v); Jon Herbst (p, kyb); John Hoy (g); Ron Belcher (b); Deszon Claiborne (d) and others. Kensington, California. c. 2019.
Declare Music DM 3427

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Michel Hausser: Mr Vibes – Quartet & Octet Sessions 1954-60

Swimming around the big four of Norvo, Hampton, Jackson and Burton in jazz's vibraphone pool are less well-known fry, among whom is the Frenchman...
Advertisement

Obituary: Ryo Kawasaki

Fusion stalwart, quantum physicist and guitar synthesizer pioneer who played with Gil Evans, Dave Liebman and many others
Advertisement

Groove master: Paul Jackson /2

Paul's professional career was interrupted by a stint in the US Army around the end of the 60s. "They sent me to Berlin, and so...
Advertisement

Jazz Italiano: A History Of Italian Syncopated Music, 1904-1946

There was a question on one of the brainier TV quiz shows recently – QI or some such – that posed a kind of...
Advertisement

In Cold Blood

The film In Cold Blood, based upon Truman Capote’s book about the murders of the Clutter family in Kansas in 1959, is here re-released...
Advertisement

JJ 11/74: Don Cherry – Eternal Now

Fifty years ago Roger Dean lamented the monotony of Cherry's mystic music-making, noting that repetitious music is not necessarily transcendent
"It appears that Clairdee is moving toward the creation of a full-length show tracing Horne’s life. That being so, she has set herself a difficult task. Based on what is heard here, she will achieve her objective"Clairdee: A Love Letter To Lena