Advertisement
Advertisement

Jaume De Viala: Sonoritat De Mil Miralls

In brief:
"Very well performed, both instrumentally and vocally, this is always interesting ... De Viala has adopted the stylistic form of progressive rock, here and there tinged with jazz and world music"

Back in the early 1980s, Jaume De Viala was one of the original members of Salvador Avià’s Celobert Màgic, a band performing music that drew upon traditional forms but was couched in a then contemporary style. This music was labelled as Catalan progressive ethno-fusion, which perhaps means little to those outside Catalonia at that time.

Working in the same region, De Viala has now chosen to revive the essence of the group and its repertoire, but has this time adopted the stylistic form of progressive rock, here and there tinged with jazz and world music. While none of this might convey accurately what is heard, an accompanying press handout suggests that fans of King Crimson and Steve Hackett might be intrigued.

Advertisement

Instrumentally, this is pleasing, romantic and uncluttered music. Heard throughout are guitarists De Viala and Dusan Jevtovic, as well as keyboardists Alvaro Gandul and Vasil Hadzimanov, while Judit Cucala, who was also with Celobert Màgic, sings attractively on several tracks.

In addition to the musicians named below, another 11 appear, mostly each making a single appearance. One of these is Avià, who plays bouzouki on Tresors D’Estiu Perdui. On the songs featuring Cucala, the lyricist is Avià who is also the composer of about 15 tracks, co-composer with Di Viala of two, the others being by Di Viala alone. There is only one song from other sources, George Gershwin’s A Foggy Day, here presented with a Catalan lyric, which is again by Avià.

Very well performed, both instrumentally and vocally, this is always interesting. Those who understand the lyrics will be especially appreciative.

Hear/buy Jaume De Viala: Sonoritat De Mil Miralls at jaumedevialatorello.bandcamp.com/releases

Discography
Adéu; Tresors D’Estiu Perdui; Ombres De Lluna Creixent; Regal (III-1982); Quan …; Marinada; Setembre Cristal·Lí; En Vol Salat De Gavina; Carretera Al Brasil; Dramatica Seqüencia D’Amor A Les Rambles;Sonet De Quatre Flors; Jardins Estranys; I Ombrivols; Dissortat Estel; Tercet Del Teu Adéu; Vals Del Desengany; Setembre Cristal·Lí Al Fuji Nevat; Certesa; Un Dia Boirós (A Foggy Day); Tan Sols Per A Tu; Duet Del Teu Nom; Extractes De La Llunyania Mediterània; Regal (III-1982); Intro Alternativa; Espera (62.27)
De Viala, Dusan Jevtovic (g, elg); Alvaro Gandul, Vasil Hadzimanov (p, kyb); David Marroquin (b); Xavi Reija (d); Judit Cucala (v) and others. Barcelona, November 2017 to February 2019.
facebook.com/jaume.devialatorello

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

May Okita: Art Of Life

After a stint in Los Angeles and before returning to her native Tokyo, May Okita recorded this refreshingly lightweight album with musical collaborators Larry...
Advertisement

Obituary: Brian Peerless

Born and educated in North London, Brian Peerless trained in engineering and became a highly respected and inspirational teacher at Middlesex University. He developed...
Advertisement

Dave Pell, man of many parts

Dave Pell, who died on 7 May 2017, was a man of many parts – multi-instrumentalist, bandleader, photographer and creative director of Mowest (Tamla-Motown’s...
Advertisement

Music – A Subversive History

Ted Gioia is a musical thinker, as well as a jazz critic and historian – his concept of the aesthetics of imperfection has inspired...
Advertisement

Ronnie’s – the life of Ronnie Scott and his world famous jazz club

As Ronnie Scott himself said, “only an idiot would open a jazz club in 1959". But he did, along with his close friend and...
Advertisement

JJ 09/95: Joe Zawinul – The Beginning & Zawinul

Thirty years ago Mark Gilbert was intrigued by the unforeseeble transformations in the music of the Viennese master between 1959 and 1971
"Very well performed, both instrumentally and vocally, this is always interesting ... De Viala has adopted the stylistic form of progressive rock, here and there tinged with jazz and world music"Jaume De Viala: Sonoritat De Mil Miralls