Calum Gourlay Quartet: New Ears


Bassist Calum Gourlay has become a familiar face on the jazz circuit over recent years accompanying the likes of Trish Clowes, Gareth Williams, Kit Downes, Tommy Smith and many others. He’s been a member of the Scottish National Jazz Orchestra for 14 years and he directs his own big band in a monthly residency at London’s Vortex. Gourlay recorded a solo bass album in 2015 and New Ears is his first as a band leader.

Helena Kay, Kieran McLeod and James Maddren are founder members of Gourlay’s big band and and he wrote the tracks for this album specifically with these musicians in mind. Although the pairing of tenor sax and trombone is relatively uncommon, earlier precedents include Stan Getz with Bob Brookmeyer and more recently Chris Potter with Robin Eubanks in Dave Holland’s quintet.

Incidentally, Blue Fugates refers to the Kentucky Fugates family whose genetic disorder turned their skin blue. It’s Gourlay’s stab at penning a blues in a different form to the 12-bar standard. Be Minor centres on a triumphant rallying call by the two horns but this can become a touch repetitive. The rally appears again in slightly different form in the title track and also in Trinity. This unfortunately aids the feeling that some numbers sound a little similar. The track entitled Ro bucks the trend, however, to the extent that unlike elsewhere its refrain hints at an old Western movie theme.Kay’s tenor sax blends well with McLeod’s trombone throughout the album and both deliver masterly passages and intricate solos. Gourlay provides clear and powerful bass lines with consummate ease and Maddren is highly creative on the drums from beginning to end.

I had the opportunity to hear the band in Wakefield whilst they were promoting the album and their live performance was well received. It was interspersed with other Gourlay originals such as Sick Cat which unfortunately didn’t make the album. Gourlay assured us that the cat itself is still alive. FODT (DT being Donald Trump’s initials) didn’t make it either. It’s a pity because both numbers had sprightly rhythms and, to confound expectations considering the subject matter, the latter sounded particularly cheerful.

Be Minor; Blue Fugates; New Ears; Solstice; Ro; Emotional Trombone; Trinity (48.17)
Gourlay (b); Helena Kay (ts); Kieran McLeod (tb); James Maddren (d). London, 4 February 2019.
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