John Scofield: Swallow Tales

In brief:
"Swallow Tales doesn't add anything new to the Scofield library (too much to expect given the major innovations of the 70s and 80s) ... Still, it's worth a spin - the key characteristics of Scofield's voice aren't quieted and the essence shines through the veiled sound"

Scofield’s debut on ECM (he has appeared as sideman on the label, notably in Marc Johnson’s Bass Desires) may remind of the somewhat seminal (in being some of the earliest Scofield) sets on Enja of 1981. There Scofield appeared with Swallow and drummer Adam Nussbaum, producing mostly swinging, if low-key jazz reminiscent of Jim Hall, an influence Scofield had long acknowledged.

The sound on this set of Swallow tunes (perhaps partly an effect of the distancing that tends to characterise ECM production) remains relatively restrained but the music often swings openly in triplet style – not something often found on ECM issues, especially in latter days. There’s also, as ever in Scofield’s playing, and uncommon on ECM, strong blues accents, especially in the long codas, such as those to She Was Young and Eiderdown.

Advertisement

In the same passages Scofield also essays a kind of muscularity not typical of the label. That kind of playing illustrates what one earlier Scofield observer memorably referred to as Scofield’s tendency to “knock over the metaphorical beer bottle” and one that has well defined his style, in macro and micro terms – macro in essaying styles from chamber to stadium jazz-rock and micro on the bandstand, subverting harmony and idiom within pieces.

There isn’t however anything here that approaches the terrific bar-room brawl of Shinola, the title track of one of those Enja sets, which produces a delightfully ribald shock in a set that wouldn’t otherwise disturb the maiden aunt.

Swallow Tales doesn’t add anything new to the Scofield library (too much to expect given the guitarist’s epochal innovations of the 70s and 80s) and some may anyway prefer the more explicit player of the 1978 Enja Rough House with the torrential Hal Galper or the still new fusion of Still Warm. Still, it’s worth a spin – the key characteristics of Scofield’s voice aren’t quieted and the essence shines through the veiled sound.

Discography
She Was Young; Falling Grace; Portsmouth Figurations; Awful Coffee; Eiderdown; Hullo Bolinas; Away; In F; Radio (53.16)
Scofield (elg); Steve Swallow (elb); Bill Stewart (d). NYC, March 2019.
ECM 083 6036

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Cecilie Strange: Blikan

This is Cecilie’s first album recorded on the same days as Blue, which was released first in May 2020. If anything, this is an...
Advertisement

On the Other Hand 06/19

NormaNorma Miller died on 5th May. If you don't know the name, Norma was a star of Whitey's Lindy Hoppers. the astonishing dance group...
Advertisement

Tony Kofi: his kind of soul

Nobody could accuse saxophonist and bandleader Tony Kofi of having it easy; early attempts to learn music were frustrated and even encouragement at home...
Advertisement

The Old Familiar Places

Jazz novel traces the life of a young English pianist and illustrates the emotional support offered by music in general and jazz in particular
Advertisement

Sarah Vaughan: Live

Aged 50 at the time, 1974, Sarah Vaughan is in her vocal prime here. This release presents two television shows that were under the...
Advertisement

JJ 02/65: Mark Murphy – That’s How I Love The Blues

Sixty years ago Sinclair Traill said don't worry if Murphy doesn't sing the downhome blues - he's a genuine jazz singer who's produced a damn fine vocal disc
"Swallow Tales doesn't add anything new to the Scofield library (too much to expect given the major innovations of the 70s and 80s) ... Still, it's worth a spin - the key characteristics of Scofield's voice aren't quieted and the essence shines through the veiled sound"John Scofield: Swallow Tales