Rocco Zifarelli: Music Unites

2585

Italian guitarist and composer Rocco Zifarelli worked alongside Ennio Morricone for over 20 years, recording with him on several award winning film scores and touring the world.

This album is described by Zifarelli as a series of experiences of musical life in Rome, New York and Paris. London also appears to be on that list as the opening track captures the hustle and bustle of the underground, complete with announcements, chatter and the rattle of trains.

The use of urban soundscapes and the general noise that accompanies several of the tracks is very like the approach Andy Sheppard took on his Nocturnal Tourist album. As a technique, it can be over used, and that’s what’s happened here. Zifarelli and friends simply throw too much into the mix, resulting in an album of frenetic, thumping music that engages and exhausts the listener with a sense of over-enthusiasm.

As a nod to Morricone, Zifarelli presents a couple of his compositions on the album, but they are re-worked to such an extent that the original themes are barely recognisable. Heavy with samples, loops and MIDI-inflected instrumentation, the album wanders into the silliness that Miles Davis demonstrated on You’re Under Arrest, and even offers up as a bonus an alternative take of Morricone’s theme to the film The Untouchables, just so we’re left in no doubt as to how much of a trashing the original material has taken.

Discography
Northern Line; Aural: Le Clan Des Siciliens; The Untouchables; Ballad For Mr. Kromback; Essential Blues; With The Help Of God, Shine; Abidjan; Aural (reprise); The Untouchables (alt take) (57.18)
Zifarelli (elg, v, syn, elec); Water Ricci (v); Dario Deidda (b); Paclo Recchia (as); Steve Michaud (d); Giovanni Imparato (pc); Freddy Jay (loops, samples). Rome, no date.
Zeta Records ZRP001

Review overview
In brief:
Previous articleCarsten Meinert: Music Train Revisited – The Remix & More
Next articleSebastien Ammann’s Color Wheel: Resilience
rocco-zifarelli-music-unites"The use of urban soundscapes and the general noise that accompanies several of the tracks is very like the approach Andy Sheppard took on his Nocturnal Tourist album. As a technique, it can be over used, and that’s what’s happened here"