Advertisement
“”
Advertisement
“”

Clemens Kuratle Murmullo: Lies

In brief:
"This detailed and well-crafted collage of sound is both old and original at the same time. It’s a remarkable feat from a talented and highly impressive group of musicians"

When I first played this album I vaguely thought it to be just another troupe trying to emulate the sonic experimentalism of the late 60s/70s. But when I listened properly, I changed my mind. There’s more to Murmullo than meets the ear – they’re actually very good.

This Swiss quintet is led by drummer and composer Clemens Kuratle. He says the inspiration for his music comes from an obsession with history, philosophy and current political proclivites. He named the album after notorious liars of our time such as the East German spokesman who said nobody had any intention of building a wall, Dick Cheney who lied about the “need” to invade Iraq and an “infamous US president” which I assume is code for Donald Trump.

Advertisement

The album is briefly bookended by the spoken word. The first track, Lies, opens with steady drumming, sonic drones and fragmented sentences about not intending to build a wall. Sax and trombone lead into the melody, Kuratle’s percussion increases and Hellmueller’s guitar takes over with a climactic rock riff. In part the track recalls Pink Floyd’s Dark Side Of The Moon.

Kuratle believes democracy only works if we have time to contemplate but that we are prevented from doing this by current populist tendencies. The track entitled Contemplation has synth guitar, atmospheric drum cascades, rich trombone and a splendid tenor sax solo from Maag. Deconstruction follows with a horn barrage before Florian Weiss brings in the melody on trombone. Guitar and bass duet gracefully. Against alternating background rhythms Weiss maintains the line superbly until all join in a powerful Kuratle-led finish.

Prelude is brief with gently mesmeric guitar leading into Aunt Rose, a number dedicated to Kuratle’s great aunt who had a similar name. Aunt Rose has hypnotic guitar and soft bass with urgent drums. The trombone takes charge until unexpectedly all hell breaks loose with screaming sax in an explosive closing section – this aunt clearly had a colourful personality! The last number, Lull-a-Bye, has sublime arco bass from Jerjen, fluid sax and skilfully executed ensemble playing. The culmination nods to Sergeant Pepper and at the last minute a voice asks, “What is real?” thus reverting full circle to the essence of the opening track.

This detailed and well-crafted collage of sound is both old and original at the same time. It’s a remarkable feat from a talented and highly impressive group of musicians.

Hear/buy Clemens Kuratle Murmullo: Lies at clemenskuratle.bandcamp.com/releases

Discography
Lies; Contemplation; Deconstruct; Prelude; Aunt Rose; Lull-a-Bye (34.20)
Jonathan Maag (ts); Florian Weiss (tb); Franz Hellmueller (g); Rafael Jerjen (b); Clemens Kuratle (d). Bern, April 2019.
Antidrò Records

Advertisement
Advertisement

Jazz Journal articles by month

Advertisement
“”

Chris Trinidad: Con Todo

Latin-jazz has been with us for decades with one half of the equation often dominating and on many occasions the fusion has...
Advertisement

Obituary: Don Burrows

Doyen of Australian jazz, Donald (Don) Vernon Burrows, had been at the forefront of Australian jazz for over six decades. He was...
Advertisement

Han Bennink: from Dodds to disruption

Jesus may have walked on water but he never beat a rhythm on it like Han Bennink. Astonishingly,...
Advertisement

Jazz Transatlantic Vol II: Jazz Derivatives And Developments In Twentieth-Century Africa

Gerhard Kubik's magisterial, groundbreaking study comprises two simultaneously published volumes, the product of nearly 60 years' fieldwork by...
Advertisement

Bill Evans: Time Remembered – The Life And Music Of Bill Evans

This multi award-winning documentary film by Bruce Spiegel was eight years in the making, and features over 40 interviews, including some with...
Advertisement