Advertisement
Advertisement

Filippo Dall’Asta: Mediterasian

Reviewer rating
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".

Here is something a touch unusual – and most pleasant. London-based guitarist Dall’Asta  – a crisp and lucid player – got hooked on Django Reinhardt when he was 16, after his father gave him an album by the gypsy legend. As Dall’ Asta puts it in his sleeve-note, he proceeded to soak up lessons from all the gypsy guitar masters he could find in France and Holland. A few years later, a six-month back-packing trip to India led to the other element which distinguishes this, Dall’Asta’s self-produced debut disc – a fascination with Indian ideas of time and the meditative and spiritual potential of music.

Dall’Asta is not only a fine musician; he’s also an open-minded arranger of moods, tones and textures. What I liked here is that there is no all-too-effortful attempt to conjure any grand synthesis of worlds. Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres. On the introductory “Alap”, Indian drone figures and vocal invocation set up the gloriously swinging title track, while the pensive suspensions of “Nothingland” integrate guitar and sitar, tabla and legato strings to telling effect. East and West co-exist just as freshly in the propulsive Latin figures of “Brazil”. 

Advertisement

Gypsy guitar master Lotto Meier spins some delicious singing lines on the slow-medium “Django’s Castle”; some further fine tabla from Keval Joshi sets up – and sustains – a mesmeric groove on the richly cast “Cristina”, over which Dall’Asta soars. The chugging “Prelude” is equally irresistible, with Hemstock’s clarinet in fine fettle, while the charming mix of strings with male and female Indian vocal exchanges on “Insaat Ki Dagar Pe” offers concluding contrast to Dom Durner’s characterful rendition of what I take to be Serge Gainsbourg’s 1960s Reinhardt tribute “La Javanaise”. Enjoy!

Discography
Alap; Mediterasian; Brazil; Nothingland; Django’s Castle; Cristina; Prelude No.2 in C minor; La Javanaise; Insaat Ki Dagar Pe (37.09)
Dall’ Asta (g);Tim Ellis (g); Umberto Calentina (b); Danielo Antenucci (d); Keval Joshi (tabla); Mehboob Nasdeem (sitar) plus (collective personnel) Surjeet Singh Aulakh (sarang); Lotto Meier (g); Liza Bec (bcl); Duncan Hemstock (cl); Duncan Menzies (vn); Dom Durner (v); 3-piece strings, 2-piece brass, 3-piece choir. London 2018.
filippodallastaguitar.com

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Kate Baker & Vic Juris: Return To Shore

Husband and wife duet ranges from Broadway to Glen Campbell and the Beach Boys and forms a tribute to the late guitarist Juris
Advertisement

Obituary: Carol Fredette

Although she did tour, including some travels overseas, Carol Fredette chose to work extensively in the New York area and this, allied to relatively...
Advertisement

Dave Frishberg, past master /2

After the Anita O'Day experience, Frishberg had a more enjoyable time playing with Gene Krupa’s quartet between 1962 and 1964, mostly at the Metropole...
Advertisement

Experiencing Herbie Hancock

The chronologically record-centred approach can distort the wider picture. Hancock’s career has been stylistically varied and Wendell tends to slip into a “he switches...
Advertisement

Bolden

I learned everything I know about Buddy Bolden from Hear Me Talkin’ To Ya, the one indispensable book about jazz from soup to nuts,...
Advertisement

JJ 08/60: In My Opinion – Joe Williams

This is one of a series of taped interviews with musicians who are asked to give a snap opinion on a set of records...
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".Filippo Dall'Asta: Mediterasian