Filippo Dall’Asta: Mediterasian

Reviewer rating
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".

Here is something a touch unusual – and most pleasant. London-based guitarist Dall’Asta  – a crisp and lucid player – got hooked on Django Reinhardt when he was 16, after his father gave him an album by the gypsy legend. As Dall’ Asta puts it in his sleeve-note, he proceeded to soak up lessons from all the gypsy guitar masters he could find in France and Holland. A few years later, a six-month back-packing trip to India led to the other element which distinguishes this, Dall’Asta’s self-produced debut disc – a fascination with Indian ideas of time and the meditative and spiritual potential of music.

Dall’Asta is not only a fine musician; he’s also an open-minded arranger of moods, tones and textures. What I liked here is that there is no all-too-effortful attempt to conjure any grand synthesis of worlds. Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres. On the introductory “Alap”, Indian drone figures and vocal invocation set up the gloriously swinging title track, while the pensive suspensions of “Nothingland” integrate guitar and sitar, tabla and legato strings to telling effect. East and West co-exist just as freshly in the propulsive Latin figures of “Brazil”. 

Advertisement

Gypsy guitar master Lotto Meier spins some delicious singing lines on the slow-medium “Django’s Castle”; some further fine tabla from Keval Joshi sets up – and sustains – a mesmeric groove on the richly cast “Cristina”, over which Dall’Asta soars. The chugging “Prelude” is equally irresistible, with Hemstock’s clarinet in fine fettle, while the charming mix of strings with male and female Indian vocal exchanges on “Insaat Ki Dagar Pe” offers concluding contrast to Dom Durner’s characterful rendition of what I take to be Serge Gainsbourg’s 1960s Reinhardt tribute “La Javanaise”. Enjoy!

Discography
Alap; Mediterasian; Brazil; Nothingland; Django’s Castle; Cristina; Prelude No.2 in C minor; La Javanaise; Insaat Ki Dagar Pe (37.09)
Dall’ Asta (g);Tim Ellis (g); Umberto Calentina (b); Danielo Antenucci (d); Keval Joshi (tabla); Mehboob Nasdeem (sitar) plus (collective personnel) Surjeet Singh Aulakh (sarang); Lotto Meier (g); Liza Bec (bcl); Duncan Hemstock (cl); Duncan Menzies (vn); Dom Durner (v); 3-piece strings, 2-piece brass, 3-piece choir. London 2018.
filippodallastaguitar.com

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Various Artists: One Night In Pelican

Matsuli Music presents an array of tracks from various South African groups who all coalesced around an influential nightclub in the 1970s. The title...
Advertisement

Obituary: Ralph Towner

With the death of Ralph Towner (1940 - 2026) contemporary jazz lost one of its most prolific and distinctive voices. How many musicians can...
Advertisement

Groove master: Paul Jackson /2

Paul's professional career was interrupted by a stint in the US Army around the end of the 60s. "They sent me to Berlin, and so...
Advertisement

Organic Music Societies Blank Forms 06

This very reasonably priced volume sheds light on a key period in Don Cherry's life when he spent considerable time in Sweden (where he...
Advertisement

Sloane: A Jazz Singer

Songbook devotee Sloane was acclaimed at Newport in 1961 but then faced the onset of 60s pop, which she defied with typical tenacity
Advertisement

JJ 03/59: Billie Holiday

Having had the original version of "Strange Fruit" in my possession for almost 20 years, I find it difficult not to be prejudiced against...
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".Filippo Dall'Asta: Mediterasian