Ways + Toldam: Fortunes

In brief:
"...a mysterious, minimalist event which finds its three already distinguished purveyors at the top of their form. And this will be appreciated by those who luxuriate in sparse, soul-expanding musical landscapes"

Recorded at Copenhagen’s Village Studio, this eclectic but sparse nine-track offering of explorational dialogues features the extraordinary teaming of Canadian duo Ways (saxophonist Brodie West and drummer Evan Cartwright) with award-winning Danish pianist Simon Toldam.

The trio will need no introduction to fans of improvisation, but for the record: as well as heading his own critically acclaimed groups Eucalyptus and the Brodie West Quintet, the alto sax player has also collaborated with The Ex, Ethiopian sax legend Gétatchèw Mèkurya, Dutch drummer Han Bennink  and Toronto bent-jazz outfit Drumheller.

Advertisement

Cartwright, as well as working with Brodie on some of the above endeavours, has also been heard with the Canadian Lightman sisters’ Tasseomancy and indie poppers Snowblink. Toldam fronts his own eponymous trio as well as being a member of Stork and Paris Peacock. He has also worked with Bennink and is the proud owner of four Danish Jazz Grammys.

The works here range between wildly improvisational and semi-structured composition, but all defy generic definition. For example, the opening Fame is slow, hesitant and halting, while the plodding, steady Love is more organised, placing deep resonant drum hits behind minimal piano action and some high sax notes towards the close.

The scratchy Money (the first of three) features a boisterous interplay between West and Cartwright with light keyboard touches holding their own in between, a theme that is continued in Money II, with left-channel sax and right-channel piano fighting as Cartwright maintains a furious mix of rhythm and frantic rolls; and Money III, with its high-pitched, pained, almost pleading saxophone runs.

Passion takes the tempo down a bit to the slow, pensive pace of earlier selections, with sax and piano offering a more relaxed approach over subtle drum and cymbal accompaniment. The closing Health starts off funereally hesitant, but runs the gamut of emotions in its nearly 14-minute runtime, dropping in some more recognisable melodic forms later on.

While Fortunes is a splendid example of exploration, improvisation and some composition, a little more organised rhythm and recognised melody would make it more accessible to wider audiences. However, this is to miss the point somewhat: what it really represents is a mysterious, minimalist event which finds its three already distinguished purveyors at the top of their form. And this will be appreciated by those who luxuriate in sparse, soul-expanding musical landscapes.

Hear/buy Ways + Toldam: Fortunes at https://brodiewest.bandcamp.com/music

Discography
Fame; Love; Money; Luck; Money II; Money III; Passion; Fame II; Health (42.58)
Brodie West (as); Evan Cartwright (d); Simon Toldam (p). Copenhagen, Denmark, 2020.
Lorna 012

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Art Pepper: Art Of Art

Despite road fatigue the saxophone warrior was in good form in Genoa in 1981, alongside George Cables, David Williams and Carl Burnett
Advertisement

Obituary: Henry Grimes

The young Henry Grimes was beginning to make quite a name for himself as a double bass player, first in bop and then the...
Advertisement

Paul Ryan: Renaissance Man

I first saw Paul Ryan live on stage in the last decade of the 20th century. If not quite the quarter of a century...
Advertisement

Giant Steps: Diverse Journeys In British Jazz

UK jazz musicians who became more widely popular in the 1950s were almost all white. Jazz in Britain was mono-cultural, as David Burke points...
Advertisement

Billy Cobham: Jazz Legends, Live At The Palais Des Festivals Hall, Cannes 1989

Despite the sighting of two mullets and a mix dominated by a synth sound you would associate with Spandau Ballet, this 45-minute show from...
Advertisement

JJ 12/62: In My Opinion – Erroll Garner

Sixty years ago the composer of Misty gave his opinion on James P. Johnson, Ralph Sutton, Earl Hines, Art Tatum, Duke Ellington and others
"...a mysterious, minimalist event which finds its three already distinguished purveyors at the top of their form. And this will be appreciated by those who luxuriate in sparse, soul-expanding musical landscapes"Ways + Toldam: Fortunes