It’s getting very difficult to do justice to Getz in mere words. I showered justified superlatives on his Stockholm Concert earlier this year, and then along comes an album that is even better. This is the group that delighted London audiences in 1988 and whose records we’ve been more than eagerly awaiting ever since.
The most sensible thing a reviewer can do when confronted by music of this stature is to admit defeat gracefully, order everyone to buy it immediately, and then get back to listening.
But for anyone not yet convinced by Getz’s genius, try the beautifully floating opening number, a Johnny Mandel tune that is more or less an anagram of Al Cohn, one of Getz’s favourite saxophonists, whose spirit is movingly and joyously evoked. Started is not a tune I recall Stan recording before: it is a ravishing performance, one of his very best, and further distinguished by an exquisite solo by Barron.
And Gigi Gryce’s Blues gloriously enshrines Getz’s ability to stomp, even at this fairly laid-back tempo. There’s some superb work from Reid and Lewis on this track, too – an exemplary group performance that is jazz at its most definitive.
Sadly, the record is difficult to obtain – so far I’ve only found it in Mole Jazz. I should also add that the CD version – which I haven’t yet seen or heard – includes at least three further cuts, two of which are Blood Count and What Is This Thing Called Love.
El Cahon; I Can’t Get Started (23.30) – Stella By Starlight; Stan’s Blues (22.36)
Stan Getz (ts); Kenny Barron (p); Rufus Reid (b); Victor Lewis (d). Montmartre Club, Copenhagen, July 6, 1987.
Emarcy 838 769-1