JJ 08/90: Lee Konitz – Round & Round

Thirty years ago Mike Shera hailed Konitz as almost the sole remaining connection with the Tristano school. First published in Jazz Journal 1990

After the disappointment of his last CD (Konitz In Rio) it’s good to hear Lee Konitz in good voice and in brilliant sound, thanks to this DDD CD.

The rhythm section is a new one for Konitz (on record at least) and whilst it is more intru­sive than many he has used, the quartet mesh together very well. Pianist Fred Hersch is an almost uncannily empathetic accompan­ist, and the warmly sustained bass notes of Mike Richmond are com­plemented by the deftly sympathetic and cushioning drum­ming of Adam Nussbaum.

Advertisement

The programme consists for the most part of material that Konitz has not recorded before. Surprising choices include Sonny Rollins’ Valse Hot and Coltrane’s Giant Steps. His treatment of both these songs is entirely personal, particularly the latter where the first half of the performance is played at half tempo. With Hersch’s solo the normal breakneck tempo is restored. Sand­wiched between these two are Lover Man, familiar Konitz mate­rial given an entirely fresh treat­ment, and Bluesette, a charming waltz.

Now that the irreplaceable Warne Marsh is no longer with us, Konitz remains almost the sole connection with the Tristano school and its highly individual approach to jazz improvisation. Konitz continues to demonstrate the vitality and originality of the approach, and long may he con­tinue. And I suspect he will, given the availability of rhythm sec­tions as stimulating and compati­ble as this one.

Discography
Round And Round And Round; Someday My Prince Will Come; Luv; Nancy; Boo Doo; Valse Hot; Lover Man; Bluesette; Giant Steps (54.34)
Lee Konitz (as); Fred Hersch (p); Mike Rich­mond (b); Adam Nussbaum (d). 1988.
(Limelight CD 820804-2)

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Lafayette Gilchrist: Dark Matter

David Murray’s long time pianist, Lafayette Gilchrist, here gets his chance to record solo although this release is actually his second album. The opening...
Advertisement

Obituary: Lennie Niehaus

Lennie Niehaus made an important contribution to the buoyant West Coast jazz scene of the 1950s with his creative work for Stan Kenton and...
Advertisement

Petra van Nuis: singing beyond the words

Petra van Nuis is a Chicago-based jazz vocalist whom Bruce Crowther described as "an exceptionally gifted singer with a light yet subtly textured sound"...
Advertisement

Universal Tonality: The Life And Music Of William Parker

If an antidote to apathy consists of work and proselytizing, then bassist, composer, bandleader, activist and organiser William Parker embodies that antidote. Cisco Bradley...
Advertisement

Louis Armstrong’s Black & Blues

Sacha Jenkins' sharply produced documentary should hold the attention of anyone, be they Wonderful World passerby or seasoned jazz buff

Syncopation

Bolden

Advertisement

JJ 03/75: Larry Coryell – Spaces

Fifty years ago, listening to Coryell and McLaughlin (accompanied by Corea, Vitous and Cobham) Barry McRae reckoned McLaughlin the better player because of his ascetism