Advertisement
Advertisement

Ian McGimpsey & Harrison Argatoff: Ontario 559 West

In brief:
"...this is more than a homage, for it seeks to capture what it was that made [Nick] Drake so special, to expand Drake’s limited repertoire with some new songs he might have written"

Ian McGimpsey and Harrison Argatoff are Toronto-based musicians, Argatoff having the unusual background of growing up a Doukhobor in British Columbia. The Doukhobors were a Russian dissenting sect known for their radical pacifism who, with financial help from Tolstoy, settled in the Canadian Rockies and prairies in 1899. It is this spiritually aware background that informed Argatoff’s recent interest in Nick Drake, that most luminous but fragile of British folk singers, and in particular his Pink Moon album.

Pink Moon was recorded in October 1971. It was by far the bleakest of Drake’s four albums, 11 spare, unadorned songs accompanied only by guitar lasting no more than 28 minutes in total that together speak of distance and despair without any of the comforts of self-indulgence.

Advertisement

Inspired by that album, Argatoff worked with McGimpsey to produce a set of equally short, heartfelt and seemingly simple songs –15 of them and few longer than a couple of minutes – in response. The songs mix an instinctive blend of contemporary jazz with the idioms of a singer-songwriter.

The album’s title, by the way, refers to the Ontario 559 West highway which runs east to west about 250 km north of Toronto. This highway leads to a house on Lake Huron’s Georgian Bay where the music was recorded.

Given the fact that Drake was a guitarist, and Argatoff a saxophonist, McGimpsey’s acoustic guitar plays a leading role on this album. What results is an uncanny resemblance to an original Drake album, McGimpsey’s open-tuned guitar and precise, pizzicato style capturing the fluid ambiguity of Drake’s own playing, Argatoff’s languid, muffled saxophone filling in for Drake’s hazy vocal lines. At times, I almost expected Drake himself to start singing, for his presence is evident in each song. The pair end the set with two unaccompanied outings, each inhabiting the unsettling, unhappy world Drake lived in.

But this is more than a homage, for it seeks to capture what it was that made Drake so special, to expand Drake’s limited repertoire with some new songs he might have written. As such, it is a contemplative reminder of a life sadly lost, but also an unexpected pleasure, and from a most unusual source.

Hear/buy Ian McGimpsey & Harrison Argatoff: Ontario 559 West

Discography
August 28, 2018; Can A Soul Be Bright; 39; What Will Be Left; From The Ground; Saying Little; In Equal Measure; 42; Late Harvest; From The Blossom; The Sun Shone Still; Paying Dearly; Guitar; Horn; Swings (38.03)
McGimpsey (g); Argatoff (ts); Carling Township, Ontario, March 2020.

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Baggetta, Keltner & Watt: Everywhen We Go

Jazz-aware guitarist follows the post-rock playbook in a brooding, filmic set recalling Hank Marvin, Bill Frisell, Ry Cooder and Marc Ribot
Advertisement

We Love Sérgio Mendes 

Sérgio Mendes may not have been the main originator of bossa nova - one of the most innovative musical movements of the 20th century...
Advertisement

Ed Palermo: the big band beyond

Early on in his career Ed Palermo cut two records, Papier Mache (Vile Heifer, 1982) and Ping Pong (Pro Jazz Records, 1987) before the...
Advertisement

Fantasies Of Nina Simone

You’d probably have to be very keen on Nina Simone’s music to want this book, and the author is, of course, just that. He’s...
Advertisement

Billy Cobham: Jazz Legends, Live At The Palais Des Festivals Hall, Cannes 1989

Despite the sighting of two mullets and a mix dominated by a synth sound you would associate with Spandau Ballet, this 45-minute show from...
Advertisement

JJ 07/62: John Coltrane – Olé Coltrane

It has always amazed me that these so-called modernists actually have the nerve to study and criticise their own playing. Apart from a fast...
"...this is more than a homage, for it seeks to capture what it was that made [Nick] Drake so special, to expand Drake’s limited repertoire with some new songs he might have written"Ian McGimpsey & Harrison Argatoff: Ontario 559 West