Lynn Taylor: I See Your Face Before Me / Marjorie Lee: Remembering With …

In brief:
"This release is in Fresh Sound's growing series The Best Voices Time Forgot, which recalls singers often touching on jazz, and this is another pair worthy of attention"

A singer whose repertoire and style was mostly suited to the pop music of the day, Lynn Taylor (1937-1979) worked for a while in New York City where she encountered composer Arthur Schwartz and it is his music (with various lyricists) that she sings in this session from the mid-1950s.

Whether singing ballads or bouncier songs, Taylor has a happy sound that blends well with Schwartz’s melodies. The singer’s accompanists are relaxed with several short solos by Buddy Weed, the horns being a discreet presence. Taylor’s last four tracks, which are not Schwartz’s compositions, come from an album entitled Ernie Kovacs Presents… Buddy Weed And Introduces… Lynn Taylor.

Advertisement

In 1962, Taylor became a member of folk trio The Rooftop Singers although her tenure with the group was brief and in 1963 she moved to California where she remained for the rest of her short life.

Starting her professional career in the early 1940s, Marjorie Lee sang with the orchestras of Richard Himber, Joe Reichman, and Russ Morgan. She appeared on radio with Himber in 1942 and had a successful 1945 recording with Morgan of Remember When. Later she sang with David Rose, whose orchestra was on Red Skelton’s television show for several years from the early 1950s.

Lee was probably on screen often although IMDB lists only one show, in 1953, in which she appears. After a short spell off the scene raising a family with husband Bernie Halpert, a drummer, she returned to music with the album heard here.

Singing a selection of mainly well-known songs, Lee has a vocal sound that is clear and uncluttered and here and there slightly torchy. Lee sings on only eight of the 12 tracks from this session, her accompanists an effective jazz quintet. Of the other four songs, two are features for alto saxophonist Ted Nash (I Let A Song Go Out Of My Heart and Something To Live For) and two feature pianist John T. Williams, One Love and Our Waltz. Elsewhere, Williams is a subtly persuasive accompanist, notably on Maybe You’ll Be There and Alone Together.

This release is in Fresh Sound’s growing series The Best Voices Time Forgot, which recalls singers often touching on jazz, and this is another pair worthy of attention.

Hear/buy Lynn Taylor: I See Your Face Before Me / Marjorie Lee: Remembering With … at freshsoundrecords.com

Discography
(1) [I See Your Face Before Me] I See Your Face Before Me; Then I’ll Be Tired Of You; It’s All Yours; Haunted Heart; By Myself, You And I Know; Thief In The Night; High And Low; The Dreamer; Oh But I Do; Something To Remember You By; Wandering Heart For Miss Sterling; (2) Warm Kiss And Cold Heart; It’s Funny To Everyone But Me; I’ve Got An Invitation To Dance; Was That The Human Thing To Do; (3) [Remembering With Marjorie Lee] Boulevard Of Broken Dreams; These Foolish Things; I Let A Song Go Out Of My Heart; Alone Together; One Love; Good For Nothing Joe; Lullaby Of The Leaves; I Got It Bad And That Ain’t Good; Our Waltz; Bewitched; Something To Live For; Maybe You’ll Be There (75.50)
(1) Taylor (v); Buddy Weed Septet: Billy Butterfield (t); Bob Alexander (tb); Stanley Webb (f, cl); Weed (p, arr); Barry Galbraith (g); Arnold Fishkin (b); Johnny Cresci (d). NYC, 1957.
(2) Taylor (v); Buddy Weed Sextet: James Morreale (t); Hank D’Amico (cl); Weed (p, arr); Tommy Kay (g); Fishkin (b); Bunny Shawker (d). NYC, 25-26 January 1956.
(3) Lee (v); John T. Williams Quintet: Ted Nash (as); Williams (p); Bob Gibbons (g); Rolly Bundock (b); Jack Sperling (d). Hollywood, 8 May 1957.
Fresh Sound FSR V125

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Location Location Location: Damaged Goods

Anthony Pirog, Michael Formanek and Mike Pride blend free improv, funk and prog, often recalling Terje Rypdal with Vitous and DeJohnette
Advertisement

Obituary: John Cumming

British jazz promoter who facilitated first UK visits for numerous American artists and was key in the creation of the Bracknell and London jazz festivals
Advertisement

Junior Cook: quintessential NYC hard-bop tenor

Courtney Nero outlines the trajectory of the Pensacola-born saxophonist, from R&B roadman to Mobley-inspired hard-bop luminary, forged in NYC
Advertisement

Kansas City Jazz – A Little Evil Will Do You Good 

New study tells the story of KC jazz in a more free-flowing style than the dense 2005 Driggs and Haddix book and throws fresh light on it
Advertisement

Music For Black Pigeons

The quartet gig which John Surman had at Ronnie Scott's this past June (reviewed 12/06) was memorable enough in itself. What made the evening...
Advertisement

JJ 05/84: David Sanborn – Backstreet

Forty years ago Mark Gilbert hailed the slimmed-down arrangements and vitality of the saxophonist's latest album
"This release is in Fresh Sound's growing series The Best Voices Time Forgot, which recalls singers often touching on jazz, and this is another pair worthy of attention"Lynn Taylor: I See Your Face Before Me / Marjorie Lee: Remembering With ...