Dave Scott: Ambiguity

In brief:
"This is a fresh approach to old forms in free jazz and suitable for any enthusiast who usually enjoys more traditional formats"

Scott’s five-piece combo consists of musicians that have known each other and played together for 20 years or, in some cases more. Scott and bassist Herbert have been playing together for 25 years.

The leader wanted a fresh, contemporary sound in which the soloists could improvise freely on his structures and, taking an idea from Miles Davis, asked them not to play what they knew but what they did not know. It worked well with six compositions that provide good frameworks for improvising musicians to work with.

Advertisement

Ambiguity, the first piece, begins with collective improvisation over an ostinato in 5/4 time. Scott has an open, brassy sound and he constructs darting lines that he fits around the theme. Perry has a floating sound on tenor, rather like Wayne shorter vintage 1964 but with a free-jazz style of improvising once he gets into a tune. Billy Mintz plays a repetitive, static rhythm throughout that must have been boring for him but fits the music ideally.

This piece segues straight into the next, Diligence, where the tempo is increased, and the time is 7/4. Although these compositions are in free form the level of construction is impressive with the soloists creating fascinating improvised solos. They have tightly integrated ensembles on most tracks and the solos jump out from these naturally enough.

Obscurity is a ballad type, beginning with a long bass solo and the rest of the solos emerging from what the composer calls “a series of composed cells”. Song For Janie is the most lyrical offering, a slow ballad composed for Scott’s wife and played through with a full round of warmly fashioned individual solos. Redactions is a straightahead swinger with complex solo lines and Special Sauce is a bouncy work with trumpet and tenor sax players improvising together. This one in 11/8.

This is a fresh approach to old forms in free jazz and suitable for any enthusiast who usually enjoy more traditional formats.

Discography
Ambiguity; Diligence; Obscurity; Redactions; Song For Janie; Special Sauce (61.42)
Scott (t); Rich Perry (ts); Gary Versace (p); John Herbert (b); Billy Mintz (d). December 2018, no location listed.
SteepleChase SCCD 31887

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Bill Evans Trio: Live At Birdland, New York City

These recordings, taken from radio broadcasts, have been available before and were evidence of the trio’s progress a year prior to the legendary Village...
Advertisement

Still Clinging To The Wreckage 06/20, part 2

Bill Harris was born in Philadelphia on 28 October 1918, learning to play trumpet, tenor saxophone and piano before he eventually gave them all...
Advertisement

Mike Clark, the Oakland Groove behind Herbie, Chet and Charlie Brown /2

By 1967, and with a great deal of playing experience to his credit, Clark turned 21 and moved to Oakland. Adding to his already...
Advertisement

Sophisticated Giant – The Life And Legacy Of Dexter Gordon

We are fortunate indeed in that Maxine Gordon is such an accomplished writer (except for the fact that everyone that Dexter ever meets seems...
Advertisement

In Cold Blood

The film In Cold Blood, based upon Truman Capote’s book about the murders of the Clutter family in Kansas in 1959, is here re-released...
Advertisement

JJ 05/65: In My Opinion – Mark Murphy

Sixty years ago, before his UK work permit expired, Mark Murphy remarked on such as Jimmy Rushing, Ella Fitzgerald and Joe Turner, on the idiocy of likening Cleo Laine to Billie Holiday and on the negativity creeping in among young jazz players
"This is a fresh approach to old forms in free jazz and suitable for any enthusiast who usually enjoys more traditional formats"Dave Scott: Ambiguity