John Scofield: Swallow Tales

In brief:
"Swallow Tales doesn't add anything new to the Scofield library (too much to expect given the major innovations of the 70s and 80s) ... Still, it's worth a spin - the key characteristics of Scofield's voice aren't quieted and the essence shines through the veiled sound"

Scofield’s debut on ECM (he has appeared as sideman on the label, notably in Marc Johnson’s Bass Desires) may remind of the somewhat seminal (in being some of the earliest Scofield) sets on Enja of 1981. There Scofield appeared with Swallow and drummer Adam Nussbaum, producing mostly swinging, if low-key jazz reminiscent of Jim Hall, an influence Scofield had long acknowledged.

The sound on this set of Swallow tunes (perhaps partly an effect of the distancing that tends to characterise ECM production) remains relatively restrained but the music often swings openly in triplet style – not something often found on ECM issues, especially in latter days. There’s also, as ever in Scofield’s playing, and uncommon on ECM, strong blues accents, especially in the long codas, such as those to She Was Young and Eiderdown.

Advertisement

In the same passages Scofield also essays a kind of muscularity not typical of the label. That kind of playing illustrates what one earlier Scofield observer memorably referred to as Scofield’s tendency to “knock over the metaphorical beer bottle” and one that has well defined his style, in macro and micro terms – macro in essaying styles from chamber to stadium jazz-rock and micro on the bandstand, subverting harmony and idiom within pieces.

There isn’t however anything here that approaches the terrific bar-room brawl of Shinola, the title track of one of those Enja sets, which produces a delightfully ribald shock in a set that wouldn’t otherwise disturb the maiden aunt.

Swallow Tales doesn’t add anything new to the Scofield library (too much to expect given the guitarist’s epochal innovations of the 70s and 80s) and some may anyway prefer the more explicit player of the 1978 Enja Rough House with the torrential Hal Galper or the still new fusion of Still Warm. Still, it’s worth a spin – the key characteristics of Scofield’s voice aren’t quieted and the essence shines through the veiled sound.

Discography
She Was Young; Falling Grace; Portsmouth Figurations; Awful Coffee; Eiderdown; Hullo Bolinas; Away; In F; Radio (53.16)
Scofield (elg); Steve Swallow (elb); Bill Stewart (d). NYC, March 2019.
ECM 083 6036

Advertisement
Advertisement

Jazz Journal articles by month

Tobias Hoffmann Nonet: Retrospective

Recorded at Werner Angerer’s Wavegarden Studio, Retrospective is the debut album by German saxophonist, composer and arranger Tobias Hoffmann (not to be confused with...
Advertisement

Count me in 08/19

Mention last time of my jazz-book discovery in Appleby (The Penguin Guide to Jazz on CD, by Cook & Morton, awaiting liberation from The...
Advertisement

Brian Auger: bridging the gap

Born two months before the outbreak of World War II, Brian grew up in London during the Blitz. "I grew up with a pianola in...
Advertisement

Superstride – Johnny Guarnieri

Johnny Guarnieri was telling an audience of the perils of auditioning for Benny Goodman. “Did you get the job?” someone called out. “I got...
Advertisement

Motherless Brooklyn

Actor Edward Norton secured the rights to Jonathan Lethern’s best-selling novel Motherless Brooklyn on publication in 1999. Exactly 20 years later he brings it...
Advertisement

JJ 08/89: Jazz around the clock

As many many provincial presenters are faced with shrinking air-time, Londoners can look forward to jazz 24 hours a day, seven days a week. Early...