Article XI: Live In Newcastle

In brief:
"Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has become something of a by-product of large free and near-free ensembles"

Encouragement, like a great many aspects of life, can come from many quarters, and it’s downright encouraging, not to say grounds for optimism, to hear a large ensemble going about some musical business with vigour and a sense of purpose not unlike that which marks the largely Dutch ICP Orchestra’s work, albeit without such potent measures of iconoclasm and disruptive humour.

It’s a band that sounds live too, in the sense that if there are routines stitched into the fabric of this programme, they’re very much engulfed by the whole, happening in the moment, which maybe why Municrination can cover a wide expanse of ground, including an episode of more than convincing free play, without toppling over into striving for effect.

Advertisement

While there’s little of the cunning about Always A Fox, an enduring impression is of a band that knows its worth without having to grandstand about it. Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has with the passing of time and the documentation of records become something of a by-product of large free and near-free ensembles.

The initial hints of fractured pastoralism in Not The Kind Of Jazz You Like highlight how light and shade and the demands they make can be successfully evoked as long as a band retains its individual identities at the same time as it reads off the same page, so to speak.

So regardless of what state the jazz industry is in, whatever the hell that is / was, the object lesson that it’s not always the most visible names who produce the most substantial music applies in abundance to this release, and thus encourages this still curious yet often wearied and dismissive jazz hack to keep on looking, and to keep the ears open.

Discography
Municrination; Always A Fox; Not The Kind Of Jazz You Like; I Dreamed I Spat Out A Bee (38.43)
Graham South (t); Nick Walters (t); Kieran McLeod (tb); Tullis Rennie (tb); Sam Andreae (as); Oliver Dover (as); Simon Prince (ts, f); Cath Roberts (bs); Anton Hunter (g); Seth Bennett (b); Johnny Hunter (d). Newcastle, UK, December 2017.
Discus 89CD

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Michael Sarian: Living At The End Of The World

NY-based trumpeter reminds of Tomasz Stanko and Enrico Rava in a set touching on loose modalism, Latin ballad, second-line and hip-hop
Advertisement

Still Clinging To The Wreckage 08/22

How in 1951 clarinettist Edmond Hall resisted Columbia Pictures' efforts to keep southern audiences sweet by excluding 'the Negro'
Advertisement

Gerry Mulligan’s Concert Jazz Band – a history

In 1959 Metronome published what it called “The All Time All Star Poll”, which was won by Charlie Parker with Miles Davis and Gerry...
Advertisement

Early Jazz – A Concise Introduction, From Its Beginnings Through 1929

Fumi Tomita's survey of early jazz recognises the musical significance of lesser-known players who didn't get the column inches or billboards
Advertisement

Symphonies in Black: Duke Ellington shorts at the Barbican, London

Back in the day, when you and I were young, Maggie, and your local Essoldo offered not one, but two feature films, a newsreel,...
Advertisement

JJ 12/69: Don Rendell/Ian Carr – Change Is

By all accounts this is the last LP in the Rendell/Carr partnership which has produced much good music and several durable al­bums. Change Is...
"Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has become something of a by-product of large free and near-free ensembles"Article XI: Live In Newcastle