Article XI: Live In Newcastle

In brief:
"Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has become something of a by-product of large free and near-free ensembles"

Encouragement, like a great many aspects of life, can come from many quarters, and it’s downright encouraging, not to say grounds for optimism, to hear a large ensemble going about some musical business with vigour and a sense of purpose not unlike that which marks the largely Dutch ICP Orchestra’s work, albeit without such potent measures of iconoclasm and disruptive humour.

It’s a band that sounds live too, in the sense that if there are routines stitched into the fabric of this programme, they’re very much engulfed by the whole, happening in the moment, which maybe why Municrination can cover a wide expanse of ground, including an episode of more than convincing free play, without toppling over into striving for effect.

Advertisement

While there’s little of the cunning about Always A Fox, an enduring impression is of a band that knows its worth without having to grandstand about it. Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has with the passing of time and the documentation of records become something of a by-product of large free and near-free ensembles.

The initial hints of fractured pastoralism in Not The Kind Of Jazz You Like highlight how light and shade and the demands they make can be successfully evoked as long as a band retains its individual identities at the same time as it reads off the same page, so to speak.

So regardless of what state the jazz industry is in, whatever the hell that is / was, the object lesson that it’s not always the most visible names who produce the most substantial music applies in abundance to this release, and thus encourages this still curious yet often wearied and dismissive jazz hack to keep on looking, and to keep the ears open.

Discography
Municrination; Always A Fox; Not The Kind Of Jazz You Like; I Dreamed I Spat Out A Bee (38.43)
Graham South (t); Nick Walters (t); Kieran McLeod (tb); Tullis Rennie (tb); Sam Andreae (as); Oliver Dover (as); Simon Prince (ts, f); Cath Roberts (bs); Anton Hunter (g); Seth Bennett (b); Johnny Hunter (d). Newcastle, UK, December 2017.
Discus 89CD

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Wes Montgomery: Back On Indiana Avenue – The Carroll DeCamp Recordings

For interested parties, Carroll M. DeCamp (to give him his full name) was an Indianapolis pianist, composer and arranger who spent many decades in...
Advertisement

Count Me In… 05/24

Jazz might be the sound of surprise but it can also be the surprise find, popping up serendipitously in unexpected places
Advertisement

Carmen McRae: queen of jazz queens

One of the cornerstones of my vinyl collection is a 1958 Decca release entitled Mad About The Man. It could only be a celebration...
Advertisement

Eric Dolphy

Guillaume Belhomme feels that Dolphy is underrated and works to rectify the deficit with impressive biographical and discographical detail
Advertisement

Billy Cobham: Jazz Legends, Live At The Palais Des Festivals Hall, Cannes 1989

Despite the sighting of two mullets and a mix dominated by a synth sound you would associate with Spandau Ballet, this 45-minute show from...
Advertisement

JJ 09/84: Miles Davis – Decoy

Forty years ago Mark Gilbert noticed that Decoy was the most arranged of Davis's comeback albums and marked by John Scofield's contributions
"Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has become something of a by-product of large free and near-free ensembles"Article XI: Live In Newcastle