Advertisement
Advertisement

Obituary: Simon Fell

Bassist noted for his work in the avant-garde but fluent in a multiplicity of jazz styles

Rhodri Davies has written a personal appreciation of bassist Simon Fell, who died from a recently diagnosed advanced cancer on 28 June:

Simon was a portal for me into improvised music. In May 1994, I chanced upon a concert by Peter Brötzmann, Willi Kellers, Alan Wilkinson and Simon Fell at the Grapes Inn, Sheffield and I was blown away. The next time I saw Simon play was a year later at Dr Brown’s pub in Huddersfield, this time with Alan Wilkinson and Paul Hession. I was entranced by his energy and commitment to the moment. He played his bass with unfettered abandon and precision, with a beatific look on his face.

- Advertisement -

I was young and felt I had nothing to lose, so I plucked up the courage to talk to him after the gig and ask if we could play together. In a typical instance of his generosity of spirit, he said yes and the next day we met and played: it propelled me into 20 years’ engagement with improvised music.

We played together in so many formations over the years: the Simon Fell Septet at the Purcell Room (1996); as part of the infamous Butch Morris’s Conduction tour of the UK (1997); as part of Derek Bailey’s Company in New York and Marseille (2001 and 1999) and as part of the London Improvisers Orchestra.

I have performed many of his compositions and was part of his ambitious big band formations and recorded projects (Composition No. 30: Compilation III and Composition No. 62: Compilation IV), as well as his immense BBC Radio 3 commission Positions & Descriptions for the 2007 Huddersfield Contemporary Music Festival.

Most notably, we played together as part of the trio IST (with Mark Wastell). In 1995, when we first played as a trio together, I was so ecstatic, and drove back from Chelmsford to London is some kind of delirious state. And I was so happy when I found out that the music from that first meeting would appear on an LP called Anagrams To Avoid (1997). We played many extraordinary concerts together: as support for Derek Bailey and John Zorn at the Barbican (2000), a stunning concert at the Tempio Civico Dell’Incoronata, Lodi (2002), and at the Total Music Meeting, Berlin (2001).

It was in 2001 while playing at the Tonic, NY with IST and Company that Butch Morris came up to Simon and me, gave us a hug, and invited us to play on the following night for his Conduction #118. This only added more delight to what was already an amazing series of concerts for me.

Simon was thoroughly ethical in his approach to music making and to collective work. He was a great mentor and he set the bar high, as he should have. He was an insightful and critical intellectual who could dissect and respond eloquently to what was going on around him. This is evidenced in his long detailed letters to me as well as in his articles “Report On The Composition Of Improvised Music 1 to 4” published in Rubberneck magazine. He was later able to map out his analysis more fully in his doctoral thesis at Huddersfield University, “A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75” (2017).

Simon and I were in touch several times earlier this year, planning future record releases, as well as IST’s 25-year celebratory concert which was planned for April 2021 at the Hundred Years Gallery, London. We were also planning for him to come to Swansea and play. Simon was dedicated, rigorous, virtuosic and I will miss his friendship and his music terribly. My love goes out to Jo Fell.

Simon’s friend and colleague Mark Wastell also published a tribute on Facebook; a fundraiser is here – https://confrontrecordings.bandcamp.com/album/at-the-club-room-for-simon-h-fell. It has already raised £500 and Jo Fell will split the money between two charities.

Simon H. Fell, b. Dewsbury, Yorkshire, 13 January 1959; d. 28 June 2020.

Latest features

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Joshua Redman Quartet: Come What May

It’s hard to believe that Joshua Redman is now 50 years old. He’s been touring with pianist Aaron Goldberg, bassist Reuben Rogers and drummer...
Advertisement

Count Me In 02/21

There are historical parallels between jazz and photography - both were nascent (primitive, if you like) in the second half of the 19th century....
Advertisement

The outrageous Frances Faye

Leonard Feather once called Frances Faye “A consummate night-club performer” and comedian Joe E. Lewis nominated her as the “Queen of the super-clubs”. A...
Advertisement

The Great Jazz And Pop Vocal Albums

Despite his relatively – or, given his main subject matter, ridiculously – young age of 57, Will Friedwald is rapidly becoming a go-to person...
Advertisement

Bill Evans: Time Remembered – The Life And Music Of Bill Evans

This multi award-winning documentary film by Bruce Spiegel was eight years in the making, and features over 40 interviews, including some with those who...
Advertisement

JJ 02/61: In My Opinion – Jimmy Skidmore

This is one of a series of taped interviews with musicians, who are asked to give a snap opinion on a set of records...