Advertisement
Advertisement

Filippo Dall’Asta: Mediterasian

Reviewer rating
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".

Here is something a touch unusual – and most pleasant. London-based guitarist Dall’Asta  – a crisp and lucid player – got hooked on Django Reinhardt when he was 16, after his father gave him an album by the gypsy legend. As Dall’ Asta puts it in his sleeve-note, he proceeded to soak up lessons from all the gypsy guitar masters he could find in France and Holland. A few years later, a six-month back-packing trip to India led to the other element which distinguishes this, Dall’Asta’s self-produced debut disc – a fascination with Indian ideas of time and the meditative and spiritual potential of music.

Dall’Asta is not only a fine musician; he’s also an open-minded arranger of moods, tones and textures. What I liked here is that there is no all-too-effortful attempt to conjure any grand synthesis of worlds. Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres. On the introductory “Alap”, Indian drone figures and vocal invocation set up the gloriously swinging title track, while the pensive suspensions of “Nothingland” integrate guitar and sitar, tabla and legato strings to telling effect. East and West co-exist just as freshly in the propulsive Latin figures of “Brazil”. 

Advertisement

Gypsy guitar master Lotto Meier spins some delicious singing lines on the slow-medium “Django’s Castle”; some further fine tabla from Keval Joshi sets up – and sustains – a mesmeric groove on the richly cast “Cristina”, over which Dall’Asta soars. The chugging “Prelude” is equally irresistible, with Hemstock’s clarinet in fine fettle, while the charming mix of strings with male and female Indian vocal exchanges on “Insaat Ki Dagar Pe” offers concluding contrast to Dom Durner’s characterful rendition of what I take to be Serge Gainsbourg’s 1960s Reinhardt tribute “La Javanaise”. Enjoy!

Discography
Alap; Mediterasian; Brazil; Nothingland; Django’s Castle; Cristina; Prelude No.2 in C minor; La Javanaise; Insaat Ki Dagar Pe (37.09)
Dall’ Asta (g);Tim Ellis (g); Umberto Calentina (b); Danielo Antenucci (d); Keval Joshi (tabla); Mehboob Nasdeem (sitar) plus (collective personnel) Surjeet Singh Aulakh (sarang); Lotto Meier (g); Liza Bec (bcl); Duncan Hemstock (cl); Duncan Menzies (vn); Dom Durner (v); 3-piece strings, 2-piece brass, 3-piece choir. London 2018.
filippodallastaguitar.com

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Fred Hersch: Breath By Breath

Pianist Fred Hersch always listened to string quartets as a child but before now has never recorded with one. The inspiration for this collaboration...
Advertisement

Still Clinging To The Wreckage 01/23

The third and final part of a survey of Louis Armstrong's small groups looks at the role of Ed Hall, Jack Teagarden, Earl Hines and others
Advertisement

Ike Quebec: saying it with sound

Tenor-man Ike Abrams Quebec is a somewhat forgotten figure these days but from the mid 40s to the early 60s his distinguished Gene Ammons...
Advertisement

The Many Faces Of Harry Beckett

Joy Unlimited was the name of one of the bands led by the great Barbados-born trumpeter and flugelhornist Harry Beckett, and one of his...
Advertisement

Jazz On A Summer’s Day

Many jazzers of a certain age – include me in - will remember seeing this pioneering documentary, directed by the distinguished photographer Bert Stern...
Advertisement

JJ 08/95: Scott Hamilton – Organic Duke

Being so pervasive and so widely tolerated, retrospection today hardly registers as such, but 30 years ago Derek Ansell could quite reasonably refer to Hamilton as a very skilful throwback
"Far from any suggestion of pastiche, the music conjures an elegant yet spirited path across and between genres".Filippo Dall'Asta: Mediterasian