Bill Frisell: Valentine

In brief:
"Valentine represents the more reserved, gentle approach to music that he demonstrated on albums like 1992’s Have A Little Faith. Nonetheless, it is still a highly original album, delivered with the ability and skill of a veteran jazz guitarist"

Recorded at the culmination of over two years touring, Valentine presents Bill Frisell’s trio with Thomas Morgan on bass and Rudy Royston on drums. Frisell has had his avant-garde associations since the 1990s, but Valentine leans more toward traditional jazz, incorporating the influence of folk and Americana.

The opening track, Baba Drame, is a winding, bluesy piece, led by Frisell, who improvises around a melody on clean electric guitar; Morgan and Royston provide a crescendoing accompaniment as Frisell’s improvisation builds in intensity. However, as the album continues, elements of the avant-garde – recalling perhaps mostly notably Frisell’s time with John Zorn’s Naked City – begin to seep in.

Advertisement

Open-string noise, jarring effects and harmonic dissonance all complement his playing, though they are used reservedly, and without the gritty distortion one might expect. Instead, it is Frisell’s ability as a guitarist that is the primary force. For example, the title track is a more straightforward jazz composition than may be expected, showing Frisell’s skill as a jazz guitarist first and foremost, yet utilising a dissonant melody throughout.

The tracks stitch together seamlessly, with instrumental continuity, yet each with their own individual style. For example, Winter Always Turns To Spring uses delicate, shimmering reverb, accentuating Frisell’s dynamic playing. On the other hand, the ninth track, Wagon Wheels, opens with a dry acoustic bass, before opening up as Frisell and Royston provide harmony and rhythm with warm guitar and stripped back drums. The cover of Burt Bacharach and Hal David’s What The World Needs Now Is Love is highly original, with Frisell simultaneously referencing and exploring the original harmony.

Being so far into his career, it is interesting to see how Frisell’s music has evolved. Valentine represents the more reserved, gentle approach to music that he demonstrated on albums like 1992’s Have A Little Faith. Nonetheless, it is still a highly original album, delivered with the ability and skill of a veteran jazz guitarist.

Discography
Baba Drame; Hour Glass; Valentine; Levees; Winter Always Turns To Spring; Keep Your Eyes Open; A Flower Is A Lovesome Thing; Electricity; Wagon Wheels; Aunt Mary; What The World Needs Now Is Love; Where Do We Go?; We Shall Overcome; The Great Flood; Dance; Back At School In Newark (74.27)
Frisell (elg, g); Thomas Morgan (b); Rudy Royston (d). Portland, 2019.

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Dinah Washington & Quincy Jones: The Complete Sessions

This attractively packaged compilation features all the sessions made between 1955 and 1961 by Dinah Washington with orchestras conducted by Quincy Jones. It includes...
Advertisement

Still Clinging To The Wreckage 01/22

Dave Gelly irritates me a great deal. It's because, so often when I read him, he makes me say "I wish I'd written that." When...
Advertisement

Willie Dennis: crossing the grain /2

Later in 1957 Dennis did a tour with Charles Mingus in a group that included Bunky Green, Wynton Kelly and Dannie Richmond. They travelled...
Advertisement

Blues People

I don’t think anyone would disagree with David Freeman’s claim in his book that the blues changed the world. It is much more than...
Advertisement

Blue Note Records: Beyond the Notes

For jazz enthusiasts of my vintage and persuasion, Blue Note was the modern jazz label. (Partisans of Prestige, Atlantic, Esquire, Riverside et al may...
Advertisement

JJ 03/81: Weather Report – Night Passage

With this album, Weather Report restore interest and credibility. Past efforts have been guilty of all manner of vapid redundancy, but this has rich...
"Valentine represents the more reserved, gentle approach to music that he demonstrated on albums like 1992’s Have A Little Faith. Nonetheless, it is still a highly original album, delivered with the ability and skill of a veteran jazz guitarist"Bill Frisell: Valentine