Advertisement
Advertisement

Laurent Nicoud: Outline

In brief:
"...there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances"

Judging by the opening track, Voice For Ages, pianist Laurent Nicoud’s expressive rubato playing might be misconstrued as diffident. But this is simply the result of Nicoud’s thought processes being translated onto the keys of the piano. If the tunes betray a degree of formality this is surely the result of Nicoud’s classical training which the 27-year-old Swiss-born pianist undertook from the age of six.

In 2001 he commenced studies at Neuchâtel Music Conservatory. In 2003 at the age of 12, he made his first appearance as a soloist playing a concerto-rondo of Mozart with Camerata Stravaganza in Neuchâtel as part of a concert series organised by the Conservatory. In 2007, he began his professional studies at Geneva University of Music acquiring his bachelor and master’s degrees over a five-year period. In 2010 he played with a symphony orchestra for the first time at Geneva University and in 2012 he played Gershwin’s Piano Concerto in F with the Geneva Symphonic Orchestra.

Advertisement

Nicoud’s introduction to jazz came in his teenage years when, in 2007, he started playing in a group with friends from high school. By 2010 he had formed his first trio with bass and drums. In 2017 and 2018 he lived in New York City where he studied jazz and composition with pianists Jacob Sacks and Shai Maestro and whilst in Brooklyn, he also recorded Outline.

It’s noticeable that Nicoud’s right hand evinces some of the more classical-influenced lines, often sounding like speeded-up Erik Satie tunes, but his left hand often conjures-up more recognisably jazz-infused chords. So, there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances, which are subtly and surprisingly satisfying. Tracks such as the contrapuntally complex Ostinato #3 and In Front Of A Tree And A Light are evidence of Nicoud’s undeniable virtuosity.

Hear/buy Laurent Nicoud: Outline at qftf.bandcamp.com

Discography
Voice For Ages; Bird’s Levitation; Ostinato; In Front Of A Tree And A Light; Louffoque; Far Ahead; Outline; Weird Spaces; Ocean; Groove in E-Flat; 09.05.2018; One In E Major (56.44)
Nicoud (p). Brooklyn, 20 June 2018.
QFTF/159

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Dexter Gordon Quartet: Willisau 1978

Gordon was remarkably consistent all through his career despite a lean period when he lived and attempted to work regularly in Los Angeles. He...
Advertisement

Alt. takes 01/19

It’s me, speaking from another dimension . . . I was talking to a colleague a week or so back, about the great change that...
Advertisement

Border crossings: 50 years of ECM Records /2

Reviewing Maria Farantouri's and Cihan Turkoglu's Beyond The Borders (2017) this October, John Adcock spoke of “the broad church of the ECM catalogue”. Some...
Advertisement

Upright Bass: The Musical Life And Legacy Of Jamil Nasser

You may know him as George Joyner, Jamil Sulieman or Jamil Nasser but the last name is probably best known and the one he...
Advertisement

Thelonious Monk Quartet: Live

I saw Monk in concert three times: first with his quartet at Jazz Expo 69, then with the Giants of Jazz in 1971 and...
Advertisement

JJ 08/61: Tubby Hayes – Tubbs

This new album by Hayes presents him in three settings: (a) on tenor, with a brass section, (b) with piccolo added, and (c) on...
"...there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances"Laurent Nicoud: Outline