Laurent Nicoud: Outline

In brief:
"...there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances"

Judging by the opening track, Voice For Ages, pianist Laurent Nicoud’s expressive rubato playing might be misconstrued as diffident. But this is simply the result of Nicoud’s thought processes being translated onto the keys of the piano. If the tunes betray a degree of formality this is surely the result of Nicoud’s classical training which the 27-year-old Swiss-born pianist undertook from the age of six.

In 2001 he commenced studies at Neuchâtel Music Conservatory. In 2003 at the age of 12, he made his first appearance as a soloist playing a concerto-rondo of Mozart with Camerata Stravaganza in Neuchâtel as part of a concert series organised by the Conservatory. In 2007, he began his professional studies at Geneva University of Music acquiring his bachelor and master’s degrees over a five-year period. In 2010 he played with a symphony orchestra for the first time at Geneva University and in 2012 he played Gershwin’s Piano Concerto in F with the Geneva Symphonic Orchestra.

Advertisement

Nicoud’s introduction to jazz came in his teenage years when, in 2007, he started playing in a group with friends from high school. By 2010 he had formed his first trio with bass and drums. In 2017 and 2018 he lived in New York City where he studied jazz and composition with pianists Jacob Sacks and Shai Maestro and whilst in Brooklyn, he also recorded Outline.

It’s noticeable that Nicoud’s right hand evinces some of the more classical-influenced lines, often sounding like speeded-up Erik Satie tunes, but his left hand often conjures-up more recognisably jazz-infused chords. So, there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances, which are subtly and surprisingly satisfying. Tracks such as the contrapuntally complex Ostinato #3 and In Front Of A Tree And A Light are evidence of Nicoud’s undeniable virtuosity.

Hear/buy Laurent Nicoud: Outline at qftf.bandcamp.com

Discography
Voice For Ages; Bird’s Levitation; Ostinato; In Front Of A Tree And A Light; Louffoque; Far Ahead; Outline; Weird Spaces; Ocean; Groove in E-Flat; 09.05.2018; One In E Major (56.44)
Nicoud (p). Brooklyn, 20 June 2018.
QFTF/159

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Karl Jenkins: Penumbra II

Previously unreleased 1971 set with Ray Warleigh, Alan Skidmore and Chris Spedding indicates British jazz was fresher 50 years ago than now
Advertisement

Obituary: Barbara Thompson

It’s axiomatic to aver that Barbara Thompson, who passed away 9 July 2022, was the greatest female jazz musician that the UK has produced....
Advertisement

Back Door – bless their old boots /2

Colin Hodgkinson tells the story of one of the UK's most creative grassroots jazz-rock bands. Part 2, in which the interlocutory subject is mentioned in the same sentence as Jaco Pastorius
Advertisement

Giant Steps: Diverse Journeys In British Jazz

UK jazz musicians who became more widely popular in the 1950s were almost all white. Jazz in Britain was mono-cultural, as David Burke points...
Advertisement

City Of A Million Dreams

The potent collision of African and European style in New Orleans led to jazz and informs the music of the city's famous funeral processions
Advertisement

JJ 04/65: George Gruntz – Jazz Goes Baroque

Sixty years ago Mark Gardner acclaimed the Swiss pianist's adaptation of the baroque to jazz, reckoning the era's hipsters would have flipped their wigs in approval
"...there is a conflict in terms of genres and it could be argued that this is a form of hybrid music. But this never detracts from the overall effect and the high quality of the compositions and performances"Laurent Nicoud: Outline