John Law’s Congregation: Configuration

In brief:
"...throughout, it is Law’s assertive piano lines that capture the attention ... This is a fine and well varied set, with so much to recommend it"

Collective nouns for birds are both wonderful and weird at the same time – a siege of bitterns, a prayer or pantheon of godwits, anyone? – but for reasons unknown, a group of plovers are known as a congregation.

In his erudite sleeve notes, Brian Morton makes a good case for a connection between that congregation of plovers and the music of pianist John Law. In more than 40 albums ranging from classical music and free improv to plainchant and electronics, Law has displayed certain ploverish tendencies, both in his reliability of content and execution and in his element of surprise and unpredictability.


His current congregation finds him playing with a new generation of players who, like him, ignore musical boundaries and share the same democratic approach to form. And the configuration of their music changes with each song, a common thread of intelligent playfulness holding them all together. The Kiss is repetitively energetic, Law’s bright piano solo soaring high across the keyboard, And Them reflects a darker take, Disfigured Bass with its sample from Bach’s Organ Prelude in F Minor is a modernist reference to Law’s classical work.

The title track is a bit too diffuse to be totally successful, despite the fine tenor solo from James Mainwaring, and I found the Nordic wail of Scandinavian Lullaby a tad hard to take, but the buoyancy of Processional, an urgent shuffle above Long’s arco bass with another powerful solo from Mainwaring, is pure delight, as is the urgent funk of Complex City.

But throughout, it is Law’s assertive piano lines that capture the attention, often set in a higher register than the rest of his band, and always with something interesting to say. His pensive solo intro to These Rolling Clouds is just bliss. This is a fine and well varied set, with so much to recommend it.

Buy John Law’s Congregation: Configuration at

The Kiss; And Them; Configuration; Scandinavian Lullaby; Processional; Jazzshh …; Disfigured Bass; Through a Glass Darkly; Complex City; These Rolling Clouds; The Kiss (Memory Of A Kiss) (69.42)
Law (p, kyb, samples); James Mainwaring (s, g, elec); Ashley John Long (b); Billy Weir (d). Castleford, England, 20–21 April 2018.
Ubuntu Music UBU0036

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"...throughout, it is Law’s assertive piano lines that capture the attention ... This is a fine and well varied set, with so much to recommend it"John Law’s Congregation: Configuration