Aaron Diehl: The Vagabond

In brief:
"Lots of jazz improvisation here and some of what used to be called Third Stream"

Diehl studied with Russian virtuoso Oxana Ablonskaya at Juilliard and later with jazz pianists Kenny Barron, Eric Reed and Fred Hersch. As he has played Gershwin’s Concerto In F and music by Philip Glass it’s perhaps inevitable that this record straddles the world of western classical music as well as jazz.

But he doesn’t lack jazz credentials to any extent as will be apparent to anybody listening to his seven compositions here where he plays, improvises and links up in tight unison with his bass player Paul Sikivie. His touch is light as a feather on everything except the Prokofiev and sections of the John Lewis piece.

Advertisement

The jazz trio functions like a more contemporary edition of the Bill Evans trio although here piano and bassist are tightly integrated throughout and drummer Hutchinson contents himself with accents and colourful, sporadic decoration.

Polaris is a smooth piece with some delicate piano lines and a bass ostinato throughout. Hutchinson colours sparingly. Most of the first seven pieces are esoteric, tightly structured, frequently melodic. Treasure’s Past has an insistent, attractive melody line and more is heard from Hutchinson’s drums.

Paradoxically the most straightahead swinging jazz performance comes on the March From Ten Pieces For Piano by Prokofiev where bass and drums take a more prominent role in swinging the pianist. A Story Often Told returns to the floating, light swing of the early tracks although this one is by Sir Roland Hanna.

Milano by John Lewis is focused on piano improvisation and different to the composer’s version. The Piano Etude No 16 by Philip Glass builds steadily and effectively with a strong piano bass line reinforced by Sikivie’s string instrument. Hutchinson decorates sturdily.

Lots of jazz improvisation here and some of what used to be called Third Stream.

Discography
Polaris; Lamia; Magnanimous Disguise; Park Lope; The Vagabond; Kaleidoscope Road; Treasure’s Past; March From Ten Pieces For Piano; A Story Often Told, Seldom Heard; Milano; Piano Etude No 16 (64.47)
Diehl (p); Paul Sikivie (p); Gregory Hutchinson (d). NYC, 4 & 6 February 2019.
Mack Avenue 1153

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Elmore James: The Sky Is Crying

Cheeky Frank Zappa, the sleevenotes for The Sky Is Crying remind us, claimed that Elmore James "only knew one lick, but you had the...
Advertisement

Obituary: Phil Schaap

Phil Schaap, broadcaster, educator, jazz historian, record producer and seven-time Grammy winner died in Manhattan on 7 September. He was 70, and for nearly...
Advertisement

Sonny Stitt: the early years, 1941-1952

Known as the "Lone Wolf", Sonny Stitt was constantly moving from town to town and city to city, attempting to find common cause with...
Advertisement

Viper’s Dream

The stuff of Jake Lamar's novel might be stereotypical - jazz, crime and drugs in NYC - but the writing is compelling and entertaining
Advertisement

Music For Black Pigeons

The quartet gig which John Surman had at Ronnie Scott's this past June (reviewed 12/06) was memorable enough in itself. What made the evening...
Advertisement

JJ 01/92: Jan Garbarek – Photo With . . .

This session comes forward again as a result of the steady digitalisation of the ECM catalogue. Thirteen years have wrought few significant changes in...
"Lots of jazz improvisation here and some of what used to be called Third Stream"Aaron Diehl: The Vagabond