Bill Frisell: Valentine

In brief:
"Valentine represents the more reserved, gentle approach to music that he demonstrated on albums like 1992’s Have A Little Faith. Nonetheless, it is still a highly original album, delivered with the ability and skill of a veteran jazz guitarist"

Recorded at the culmination of over two years touring, Valentine presents Bill Frisell’s trio with Thomas Morgan on bass and Rudy Royston on drums. Frisell has had his avant-garde associations since the 1990s, but Valentine leans more toward traditional jazz, incorporating the influence of folk and Americana.

The opening track, Baba Drame, is a winding, bluesy piece, led by Frisell, who improvises around a melody on clean electric guitar; Morgan and Royston provide a crescendoing accompaniment as Frisell’s improvisation builds in intensity. However, as the album continues, elements of the avant-garde – recalling perhaps mostly notably Frisell’s time with John Zorn’s Naked City – begin to seep in.

Advertisement

Open-string noise, jarring effects and harmonic dissonance all complement his playing, though they are used reservedly, and without the gritty distortion one might expect. Instead, it is Frisell’s ability as a guitarist that is the primary force. For example, the title track is a more straightforward jazz composition than may be expected, showing Frisell’s skill as a jazz guitarist first and foremost, yet utilising a dissonant melody throughout.

The tracks stitch together seamlessly, with instrumental continuity, yet each with their own individual style. For example, Winter Always Turns To Spring uses delicate, shimmering reverb, accentuating Frisell’s dynamic playing. On the other hand, the ninth track, Wagon Wheels, opens with a dry acoustic bass, before opening up as Frisell and Royston provide harmony and rhythm with warm guitar and stripped back drums. The cover of Burt Bacharach and Hal David’s What The World Needs Now Is Love is highly original, with Frisell simultaneously referencing and exploring the original harmony.

Being so far into his career, it is interesting to see how Frisell’s music has evolved. Valentine represents the more reserved, gentle approach to music that he demonstrated on albums like 1992’s Have A Little Faith. Nonetheless, it is still a highly original album, delivered with the ability and skill of a veteran jazz guitarist.

Discography
Baba Drame; Hour Glass; Valentine; Levees; Winter Always Turns To Spring; Keep Your Eyes Open; A Flower Is A Lovesome Thing; Electricity; Wagon Wheels; Aunt Mary; What The World Needs Now Is Love; Where Do We Go?; We Shall Overcome; The Great Flood; Dance; Back At School In Newark (74.27)
Frisell (elg, g); Thomas Morgan (b); Rudy Royston (d). Portland, 2019.

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Peppino D’Agostino: Connexion

“An instrumentality that connects. The process of bringing ideas or events together in memory or imagination”. This rather poetic statement sits alongside the album...
Advertisement

Obituary: Mike Longo

Like many other jazz musicians whose wider fame rests on their association with others, Mike Longo, who has died in New York aged 81...
Advertisement

Fergus McCreadie: ‘I love playing folk as much as I love playing jazz’

So devastating has been the damage wreaked by Covid-19 and so horrifying the death toll that it seems almost in bad taste to lament...
Advertisement

The Making Of Chet Baker Sings

Brian Morton’s slim but detailed book covers a wide range of matters pertaining to the recording and release of the album Chet Baker Sings,...
Advertisement

Miles Davis: Birth Of The Cool – the DVD

Stanley Nelson's bio-doc of Miles Davis (reviewed in theatrical form in February) not only takes its title from the name of one of the...
Advertisement

JJ 09/63: In My Opinion – Babs Gonzales

Sixty years ago, the singer, writer and head hipster loved Rita Reys but thought Sarah Vaughan couldn't swing
"Valentine represents the more reserved, gentle approach to music that he demonstrated on albums like 1992’s Have A Little Faith. Nonetheless, it is still a highly original album, delivered with the ability and skill of a veteran jazz guitarist"Bill Frisell: Valentine