Ian Shaw, Iain Ballamy, Jamie Safir: What’s New

Reviewer reaction
"Sometimes the simplest formats are the best, as this fine album shows"

Sometimes the simplest formats are the best, as this fine album shows. Take an assured vocalist, an accomplished saxophonist, and an in-demand young pianist, arrange a set of standards and classic songs celebrating love, hope and devotion, and turn on the microphones. Predictably, it all comes together wonderfully.

Shaw and Ballamy actually go back together 22 years, when Ballamy, together with pianist Cedar Walton, supported Shaw on his Milestone album In A New York Minute. Ballamy is the ideal partner for Shaw, his breathy, atmospheric tenor lines wrapping themselves easily round Shaw’s distinctive, highly personal voice. On the lengthy intro to Prelude To A Kiss, he flutters in anticipation of that kiss and stutters suitably on I Wish I Were In Love Again. Sometimes he takes his time, never afraid of hanging back when required, but matches well the cadences, drawls and slurs of Shaw’s vocals.

Advertisement

As for Shaw himself, he treads a fine line between song and speech, fully exploring the meaning of every word and line he utters. He is wistful on Once Upon A Summertime, suitably tentative on Prelude To A Kiss, and most effective on Jobim’s If You Never Come To Me. Slower numbers suit him best, as proves by his thoughtful delivery of Leonard Bernstein’s sublime Some Other Time and his poignant, evocative, occasionally demonstrative stroll through Jimmy Van Heusen’s I’ll Only Miss Him When I Think Of Him.

As for Safir, he is perfect throughout, his solos little gems of creation, notably on the usually clichéd Alfie, which he rescues with sudden outbursts of colour, while his comping behind his two fellows makes you want to replay each track just to concentrate on the background piano. In places he almost upstages Shaw, but then this set is a collaboration of equals. As such it works wonders.

Discography
What’s New? You’ll Never Get To Heaven (If You Break My Heart); Prelude To A Kiss; You Stepped Out Of A Dream; Once Upon A Summertime; If You Never Come To Me; I Wish I Were In Love Again; Some Other Time; It Might As Well Be Spring; Alfie; Come Sunday; I’ll Only Miss Him When I Think Of Him (65.20)
Shaw (v); Ballamy (ts); Safir (p). Cooper Hall, Frome, Somerset, 21-23 April 2019.
Silent Wish Records SWRCD1

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Blazin’ Quartet: Sleeping Beauty

A blend of different musical worlds, Sleeping Beauty pushes the definition of jazz to the limit, creating an interest-filled album. Jazz, improvised, world and...
Advertisement

Still Clinging To The Wreckage 10/21

From quite early in the 20th century Sidney Bechet had an affinity with France and all things French, finally deciding to settle there at...
Advertisement

Sean Khan: ‘Jazz is full of little cliques, and musicians are not the nicest people’

London saxophonist and flautist Sean Khan has been much acclaimed for albums such as Palmares Fantasy, a 2018 collaboration with Hermeto Pascoal, 2021’s Supreme...
Advertisement

On Jazz – A Personal Journey

This is a remarkable book. I don’t know how busy Alyn Shipton is these days, now he’s past the official age of retirement, but...
Advertisement

Ronnie’s: Ronnie Scott and His World-Famous Jazz Club

Ronnie Scott was, as someone once put it, a very interesting bunch of guys and Oliver Murray has got together a very interesting bunch...
Advertisement

JJ 09/74: Jazz – emergence as an international art form

Fifty years ago the US avant-gardist Milo Fine lamented the effect of partisan politics on jazz, hoping that music would prevail
"Sometimes the simplest formats are the best, as this fine album shows"Ian Shaw, Iain Ballamy, Jamie Safir: What’s New