A jazz prodigy before it was fashionable to be such, Chris Hunter made his mark in London in the early 1980s with NYJO, Mike Westbrook and others before the powerful David Sanborn tint in his playing brought him to the attention of Gil Evans and led to his emigration to New York in 1983.
This is his second Stateside outing as leader and finds him in a Birth Of The Cool small big band setting. Indeed, the group do a faithful cover of Boplicity which is distinguishable from the original mainly by virtue of the contrast between Konitz’s spotless tone and Hunter’s heavily vocalised blues style – a style which these days is in danger of sounding a bit quaint.
It’s interesting to hear Hunter tackling material from the standard repertoire – something he disdained in his early years in favour of funk and fusion – and the band make a more than passable job of it, although the absence of bebop idioms from Hunter’s garrulous solos proves him other than a Parker disciple.
However, one cannot but wonder what leads youngish men (Hunter is still in his early thirties) to reprise archive material without bringing particularly fresh perspectives to bear. This, together with recent developments and expansions in the saxophone vocabulary suggests that Chris Hunter, once at the front edge of modern mainstream alto playing, is spending a spell in the woodshed.
Scarborough Fair; Boplicity; God Bless The Child; Trolley Song; Prelude By George Gershwin; Bud, Bird & Gil; Beauty & The Beast; ’Round Midnight (58.25)
Hunter (as); Chris Botti (t); Conrad Herwig (tb); John Clark (frhl; Joe Dailey (eu); Alex Foster (f/picc/ss); Howard Johnson (bcl); Gil Goldstein (p/syn); Chuck Loeb (g); Mick Richmond (b); Adam Nussbaum (d). New York, August 19 & 20,1989.