I was pleasantly surprised by this concert recording, most of which avoids the potential banalities of its (largely) jazz-rock idiom and is rich in finely attuned group dynamics, imaginative arrangements and intelligent solos. The controlled sense of drama in Thompson’s upper register tenor work on the passionate Cry suggests some recent, discriminating listening on her part to the likes of Garbarek, Brecker and Sanborn, but her warmly rounded sound and emotional projection remain her own.
L’Extreme Jonction is as good an example as any of Paraphernalia’s general breadth of imagination here: an opening, snappy funk flavour leads into some fine passages of clipped swing and shape-shifting dynamics, before the piece concludes with some infectious, historically broad piano pastiche from Lemer (who, like Dunne, is excellent throughout).
There are some lovely transitions in the alto-led Close To The Edge from tight, punchy riffs to liquid phrases which are reminiscent of Weather Report at their best. When — unusually — the rhythmic base stays constant, as on the reggae-like Out To Lunch, shifts from soprano to flute and back again ensure that melodic interest at least is sustained.
The only disappointment of this excellently recorded concert is the overlong, ostinato-dominated Eastern Western Promise. Jon Hiseman’s climactic, technically impeccable drum solo somehow contrives to make four minutes seem like 40, through the kind of crushing jazz-rock overkill which I had unreasonably feared might dominate the whole album.
Joy Ride; L’Extreme Jonction; A Cry From The Heart; Entre Les Trous De La Memoire; Out To Lunch; Close To The Edge; Voices Behind Locked Doors; Eastern Western Promises Part 1; Eastern Western Promise Part 2 (76.41)
Barbara Thompson (ts/as/ss/piccolo); Paul Dunn (elg); Peter Lemer (keybrds); Phil Mulford (elb); Jon Hiseman (d/el pc). London c 1988: no venue or recording date given.
TM Records CDTM 212: also available on double LP 2TM 12