1296 articles
Jazz Journal
JJ 11/70: British Jazzmen No. 5 – Jon Hiseman
The days when drummers were the people in the background who just kept time are way past. With men like Art Blakey, the percussionist...
JJ 11/70: The Book
It is a few weeks since I got the news of Booker Ervin's death. It was very depressing, bad piece of news indeed. Booker,...
JJ 11/70: It Don’t Mean A Thing – More Money
The Melody Maker provided an interesting forum in recent issues for complaints and refutations about the Jazz Centre Society, the non-profit making organisation meagrely...
JJ 11/70: Negro Folk Music, U.S.A.
Previously published here in the lamented Jazz Book Club, 1966, 'Negro Folk Music U.S.A.' was first published in 1963 and is now in its...
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JJ 11/60: Ornette Coleman – Tomorrow Is The Question
The music of Ornette Coleman has produced some of the most violent reactions, both for and against, seen on the jazz scene in some...
JJ 11/60: Eddie “Lockjaw” Davis – Cookbook
Bill Basie told me not too long ago that Mr. "Lockjaw" Davis was undoubtedly the greatest "gutbucket" tenor playing anywhere today; and I have...
JJ 11/60: Chris Connor – Chris In Person
It is a pity that Miss Connor ever heard Sarah Vaughan, for she has neither the voice control nor the imagination to copy her...
JJ 11/60: Introducing Bill Harris
Six decades ago Peter Welding met guitarist Bill Harris when he played in Philadelphia and found him exploiting the potential of the guitar itself rather than following the 1950s trend of emulating jazz horns. Ten years later Hendrix got rather more physical with the instrument, but this was an interesting early observation. Welding also sagely drew comparisons with flamenco and classical guitar
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JJ 11/60: In My Opinion – Wynton Kelly
Sixty years ago, Wynton Kelly, pianist with Gillespie, Miles Davis and Wes Montgomery, reacted to music by Art Tatum, Benny Carter, Thelonious Monk, Count Basie, Jelly Roll Morton and others
Music with frontiers
Those fortunate enough to make a living from the “liberal” professions such as journalists, artists, actors and musicians are dependent upon many factors, one...
JJ 10/90: Scott Henderson & Tribal Tech – Nomad
Back in the mid-eighties, when John Scofield and Allan Holdsworth still seemed well ahead of their imitators, the emergence of Scott Henderson (marked by...
JJ 10/90: Tommy Smith – Peeping Tom
On his somnolently cautious Blue Note debut last year, Edinburgh's local boy made good seemed to have gone off the boil, overawed perhaps by...
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