Simon Nabatov: Time Labyrinth

In brief:
"It calls for attentive listening to get the benefit of the inter-relationships of the parts of the ensemble and the developments of the material, but there is visceral excitement to grab your attention too"

Time Labyrinth is the first part of a project called Changing Perspectives. Nabatov has explained “Turning 60 in 2019 I felt the need to reflect upon a few essential components of existence … Time, as a phenomenon, was top of the list, being the category every human life and every piece of music has to deal with.”

Each of the compositions relates in some way to the perception of time. They are mostly precisely notated and the musicians are “conducted” by a computer programme they watch on a monitor. This performance was recorded in concert.

Advertisement

I suppose you could apply that old-fashioned term “chamber jazz” to most of the pieces, but without the genteel connotations. Waves, Reader and Repeated are austere, disciplined, mainly quiet and with well-crafted counterpoint. Metamorph includes passages of all-in collective semi-chaos. Choral surprises with faint echoes of Birth Of The Cool in the scoring, whilst Right Off harries long lines with jagged, staccato riffs.

At the root of each piece is a pre-conceived process, including permutations of a tone-row and evolution to and from sparse single-note passages to dense flows of sound. There are some exciting solos but the main thrust of the work is the written music for the ensemble.

It calls for attentive listening to get the benefit of the inter-relationships of the parts of the ensemble and the developments of the material, but there is visceral excitement to grab your attention too. It will be interesting to hear future instalments of the Perspectives project.

Sample/buy Simon Nabatov: Time Labyrinth at leorecords.com

Discography
Waves; Metamorph; Reader; Right Off; Repeated; Chorale (62.11)
Shannon Barnett (tb); Melvyn Poore (tu); Frank Gratkowski (as, cl, f, bcl); Matthias Schubert (ts); Nabatov (p); Hans W. Koch (syn); Dieter Manderscheid (b). Cologne, 17 April 2019.
Leo Records CD LR 881

Latest audio reviews

Advertisement

More from this author

Advertisement

Jazz Journal articles by month

Advertisement

Barton Think: My Last Album

When I saw the name of Barton Think, I assumed some connection with the Coen Brothers’ cult genre-bending movie Barton Fink, but if so,...
Advertisement

Still Clinging To The Wreckage 12/20

The BBC Four programme on Ronnie Scott (still available for 11 months and reviewed here) was a mixed medley. The music clips were too...
Advertisement

Six decades on, Paris Blues retains its jazz appeal

The 1961 film had its clichés and confections but it had a jazz theme and music by Duke Ellington and Louis Armstrong
Advertisement

Lee Berk: Leading The Berklee Way

A talented musician, Lawrence Berk (1908-1995), the son of Jewish Russian immigrants, played piano professionally with various dance bands, aged just 13. He later...
Advertisement

Dale Bruning: A Tribute To Jim Hall

Bill Frisell and Ron Miles were among the sextet that paid tribute to the late guitarist in a September 2014 concert now available on video
Advertisement

JJ 03/95: Clark Tracey – Full Speed Sideways

Thirty years ago Barry McRae enjoyed a record from some outstanding London players who weren't fashionable figures with major label contracts
"It calls for attentive listening to get the benefit of the inter-relationships of the parts of the ensemble and the developments of the material, but there is visceral excitement to grab your attention too"Simon Nabatov: Time Labyrinth