1296 articles
Jazz Journal
JJ 10/90: Gil Evans Orchestra – Blues In Orbit
This album is a significant one in the Evans discography, for it dates from the time when he was introducing electric (and later electronic)...
JJ 10/90: Erroll Garner – Concert By The Sea
This is probably Garner's most famous record, and it has at times been fashionable to be rather snooty about it. I really can't see...
JJ 10/20: Stan Getz – Billy Highstreet Samba / Apasionado
Both these issues signal a return to the 'electronic' Getz of a decade or so ago - obviously enough in the Emarcy's case, since...
JJ 10/90: Roy Hargrove – Diamond In The Rough
Roy Hargrove, who made a very positive mark with the group Generations at last year's JVC New York Festival, is an habitual jam session...
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JJ 10/90: Chris Hunter – Scarborough Fair
A jazz prodigy before it was fashionable to be such, Chris Hunter made his mark in London in the early 1980s with NYJO, Mike...
JJ 10/80: Pete Rugolo talks about arranging
Pete Rugolo, master jazz arranger, "learned by trial and error." Rugolo, born 1915 in Sicily, one-time Stan Kenton alter ego and latterly leading contemporary...
JJ 10/80: Juhani Aaltonen – Springbird
With instrumentation varying from one track to the next, with all manner of flutes, kotos and Senegalese percussion involved, this looked like a rewarding...
JJ 10/80: Bob Wilber And The American All Stars Featuring Lars Erstrand: In The Mood For Swing
Bob Wilber has gathered as reliable a bunch of stalwart jazzmen you would hope to find in order to record his special arrangements of...
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JJ 10/80: Tomasz Stanko – Almost Green
This group has apparently worked together for some four years, and the accompanying promotional leaflet frankly acknowledges the influences of "Ornette Coleman's famous quartet...
JJ 10/80: Don Rendell – Earth Music
Don Rendell has consistently represented a peak in British jazz achievements, having, in his twin roles as saxophonist and composer and arranger, only peers...
JJ 10/70: Soft Machine at the Proms
The arts establishment falls over itself in the voguish rush to diversity, but half a century ago the Proms was already open to non-classical music. Martin King heard in Soft Machine an amalgam of Ornette Coleman and Mike Westbrook
JJ 10/70: British Jazzmen No. 4 – Bob Downes
'Music is all around us, if only we had ears. There would be no need for concert halls if man could only learn to...
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