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1296 articles

Jazz Journal

JJ 10/90: Gil Evans Orchestra – Blues In Orbit

This album is a significant one in the Evans discography, for it dates from the time when he was introducing electric (and later electronic)...

JJ 10/90: Erroll Garner – Concert By The Sea

This is probably Garner's most famous record, and it has at times been fashionable to be rather snooty about it. I really can't see...

JJ 10/20: Stan Getz – Billy Highstreet Samba / Apasionado

Both these issues signal a return to the 'electronic' Getz of a decade or so ago - obviously enough in the Emarcy's case, since...

JJ 10/90: Roy Hargrove – Diamond In The Rough

Roy Hargrove, who made a very positive mark with the group Generations at last year's JVC New York Festival, is an habitual jam session...
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JJ 10/90: Chris Hunter – Scarborough Fair

A jazz prodigy before it was fashionable to be such, Chris Hunter made his mark in London in the early 1980s with NYJO, Mike...

JJ 10/80: Pete Rugolo talks about arranging

Pete Rugolo, master jazz arranger, "learned by trial and error." Rugolo, born 1915 in Sicily, one-time Stan Kenton alter ego and latterly leading contemporary...

JJ 10/80: Juhani Aaltonen – Springbird

With instrumentation varying from one track to the next, with all man­ner of flutes, kotos and Senegalese percussion involved, this looked like a rewarding...

JJ 10/80: Bob Wilber And The American All Stars Featuring Lars Erstrand: In The Mood For Swing

Bob Wilber has gathered as reliable a bunch of stalwart jazzmen you would hope to find in order to record his special arrangements of...
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JJ 10/80: Tomasz Stanko – Almost Green

This group has apparently worked together for some four years, and the accompanying promotional leaflet frankly acknowledges the in­fluences of "Ornette Coleman's famous quartet...

JJ 10/80: Don Rendell – Earth Music

Don Rendell has consistently represented a peak in British jazz achievements, having, in his twin roles as saxophonist and composer and arranger, only peers...

JJ 10/70: Soft Machine at the Proms

The arts establishment falls over itself in the voguish rush to diversity, but half a century ago the Proms was already open to non-classical music. Martin King heard in Soft Machine an amalgam of Ornette Coleman and Mike Westbrook

JJ 10/70: British Jazzmen No. 4 – Bob Downes

'Music is all around us, if only we had ears. There would be no need for concert halls if man could only learn to...
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