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Latest articles in Jazz Journal

Diane McLoughlin / The Casimir Connection: Reflection

Saxophone, piano, violin, viola and bass play sombre, contemplative chamber music with passages of sometimes free jazz improvisation

Obituary: Albert ‘Tootie’ Heath

The tutti-frutti loving drummer provided undemonstrative propulsion for Coltrane, Lateef and the MJQ and brushed out the beat for Nina Simone

JJ 04/94: Pinski Zoo – De-Icer

Thirty years ago Barry McRae heard in punk-jazz band Pinski Zoo the most positive European manifestation of Ornette Coleman's Prime Time

JJ 04/94: Wynton Marsalis – Wynton Marsalis

Thirty years ago Simon Adams enjoyed re-hearing the young trumpeter at a stage before he became entangled in retrospection

Blossom Dearie: slight of sound, full of expression

She of the childlike voice, named after the pear blossoms brought to her on the day of her birth, would have been 100 years old today

Jon Lloyd Quartet: Earth Songs

Sax vet of the hatART label moves into more wistful territory, somewhat reminiscent of mid-period Garbarek, rough edges smoothed off

Gustav Renberg: Introspection

Mellow-toned Swedish jazz guitarist eases through a melodic, pulsing set mixing Latin, light rock and a touch of swing

JJ 04/84: Required Writing: Miscellaneous Pieces 1955-1982

Forty years ago Simon Adams delighted in the literary prowess if not judgement that Philip Larkin applied to modern jazz in the Telegraph

JJ 04/84: Jean-Luc Ponty – Individual Choice

Forty years ago Mark Gilbert was glad of the moments of improvisation in a set dominated by computer sequencing

JJ 04/84: Stan Tracey’s Under Milk Wood at Queen Elizabeth Hall, London

Forty years ago Simon Adams enjoyed an anniversary reprise of Tracey's 1965 suite, even if the music had bugger all to do with Dylan Thomas

Kjetil Mulelid: Agoja

Norwegian pianist noted for his work in the Evans-Jarrett line has composed a set of lyrical pieces for a variety of small groups

Paul Dunmall: Soultime Again

Saxophonist best known for free improvisation marks his 70th birthday with a big band set reminding that he's played soul and swing too

JJ 04/74: John McLaughlin – Between Nothingness And Eternity

Fifty years ago Steve Voce thought the guitarist's latest release an outstanding jazz record despite its rock content

JJ 04/74: Mike Westbrook – Live

Fifty years ago Steve Voce was impressed by Westbrook's new, bluesy direction and George Khan's 'electric saxophone'

Empirical: Wonder Is The Beginning

British quartet is joined by guests Alex Hitchcock and Jason Rebello in a set of atmospheric modal originals often reminding of Wayne Shorter

JJ 04/64: Bo Diddley – Bo Diddley’s Beach Party

Sixty years ago Sinclair Traill said reviews of R&B were included in JJ because much of it was firmly based in the true blues tradition

JJ 04/64: Freddie Hubbard – Hub-Tones

Sixty years ago Sinclair Traill reckoned Hubbard blew in the Miles style and Spaulding, although touched by modernism, had his own voice

JJ 04/64: Wes Montgomery – Full House

Sixty years ago Steve Voce thought Wes's impeccable ballads would cause much breaking of guitars by frustrated players throughout the realm

Henry Dagg & Evan Parker: Then Through Now

Avant-garde soprano man Parker jams with the electronics of a former member of the BBC Radiophonic Workshop

JJ 04/64: Dick Morrissey, interviewed

Sixty years ago John Shirley interviewed the young saxophonist he thought a deserving successor to Tubby Hayes

D’Andrea, Tommaso, Tonani: Modern Art Trio

Reissue of 1970 Italian trio album that sought to find new forms for jazz rather than simply tear down the old in the manner of the New Thing

JJ 04/64: In My Opinion – Quincy Jones

Sixty years ago the famed arranger set the record straight on the blues, the avant-garde and the origins of jazz

Trio HLK: Anthropometricks 

British trio and guests including Evelyn Glennie play a set of jagged jazz-rock combining elements of contemporary classical and jazz

Flo And The Murmurs: The Waves

Swiss singer and string quartet produce classical settings of excerpts from Virginia Woolf's novel The Waves

Melissa Aldana: Echoes Of The Inner Prophet

The Chilean sax virtuoso plays mostly wistful, downtempo music, somewhat reminiscent of Wayne Shorter's work in and out of Miles Davis's band

Knowing Jazz / Learning Jazz

Two books by American academic discuss the jazz community, jazz education, jazz criticism and the interest in jazz history

Michael Cuscuna dies

A jazz archaeologist before it became fashionable, Cuscuna was famed for unearthing overlooked Blue Note material and founding Mosaic Records

Miles Davis: Kind Of Blue

The umpteenth reissue of the 1959 modal and changes cooler adds five related late-50s bonus tracks and a front cover variation

Larry Goldings, Peter Bernstein & Bill Stewart at Pizza Express, London

The enduring American trio brought its subtle, chamber-style organ jazz to the Soho Pizza as part of the club's Hammond festival

Lynne Arriale Trio: Being Human

The US pianist, a longstanding and convinced trio performer, produces a suite of miniatures touching on swing, gospel and calypso

Doug Munro: Loop-Mania! 2024

US guitarist shows himself a fine player in a set mixing standards and originals over loop-driven backgrounds

Christian McBride & Edgar Meyer: But Who’s Gonna Play The Melody?

Two bass virtuosi confound expectation and sustain interest through a set covering the GAS, some bebop and some classical

Keith Emerson reimagined for strings and more

An unplugged tribute to the British progressive rock pioneer by eminent French arranger Thierry Eliez is reissued this month

Aaron Sachs: Quintet, Septet and Octet Ensembles

The too often unsung woodwind man gets due recognition from Fresh Sound for his late 50s work with Urbie Green, Jimmy Raney et al

Gypsy Jazz Festival of London, 6-13 May

Festival director Tobie Medland looks forward to seeing Stochelo Rosenberg, Gismo Graf, Tcha Limberger and more

Art Blakey & The Jazz Messengers: Live In Zurich 1958

Concert date for perhaps the finest Messengers group, created in 1958 by Benny Golson via new personnel and new repertoire