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JJ 04/75: Jan Garbarek-Bobo Stenson – Witchi-Tai-To

Fifty years ago Mike Shera thought Garbarek and Stenson's collection of pieces based on simple phrases or modes should be heard by those interested in that sort of thing. First published in Jazz Journal April 1975

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This is the second successive album I’ve had for review this month without liner notes, which will have the sleeve note writers up in arms, if it continues. In this particular case, I feel that an in­formative liner would have helped understanding of the music.

The album is a comparatively straight­forward set, with Garbarek eschew­ing freakish tonal effects, and getting down to some serious playing. By which I mean, he puts real effort into fashioning his im­provisations, rather than taking the easy way out.

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Most of the pieces are based on simple phrases or modes rather than com­plex chord progressions, though none are totally ‘free’ improvisa­tions. The Spanish tinge of Hasta Siempre, by Carlos Puebla, is a particularly attractive, hypnotic theme. The only track I take ex­ception to is Don Cherry’s Desireless, which at over 20 min­utes, really is too long. Co-leader and pianist Bobo Stenson plays some fine solos too, and the work of the rhythm section is exemplary. Certainly to be heard by those interested in this kind of thing.

Discography
A.I.R.; Kukka; Hasta Siempre (21 min) – Witchi-Tai-To; Desireless (24½ min)
Jan Garbarek (sop/ten); Bobo Stenson (pno); Palle Danielsson (bs); Jon Christensen (dm). Oslo, Norway 27-28/11/73.
(ECM1041ST £2.99)

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