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JJ 04/75: Eberhard Weber – The Colours Of Chloe

Fifty years ago Roger Dean heard little swing from the German bassist but some exquisite textures, telling solos and influence of Maurice Ravel. First published in Jazz Journal April 1975

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There is relatively little improv­isation on this LP, but instead many delightful timbres. Rooyen has a fair solo on Ritz, and Bruninghaus solos extremely well on Chloe.

But Giger’s sensitive drum solo on Picture is just one element of the symmetrical pattern of con­trasting tone colours which Weber builds up. In this piece he relies heavily on ostinato keyboard scale passages which cross over the underlying 15/8 and 7/8 bass riffs. But he avoids monotony by tempo changes (including a brief luscious slow passage with high voice and cellos) and various revoicings (electric pianos replaced by acous­tic etc.) And there is a central acoustic piano duet, making the most of a beautifully sonorous instrument.

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Little swing here, but some ex­quisite textures. The influence of Ravel (indicated in the album’s title) is excellently used on this LP.

Discography
More Colours; The Colours Of Chloe; An Evening With Vincent van Ritz; No Motion Picture
Weber (bs/cello/ocarina): Rainer Bruninghaus (pno/synthesizer); Peter Giger (dm/pen): Ralf Hubner (dm ‘Chloe’ only); Ack van Rooyen (flg-hn). Cellos of Sudfunk Sym­phony Orch., Stuttgart. Voices of Weber and Gisela Schauble. Ludwigsburg, December 1973.
(ECM1042 £2.99)

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