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Nitai Hershkovits: Call On The Old Wise

Israeli pianist plays spacious solo pieces mixing a jazz sensibility with rococo and impressionist qualities

Born in 1988, Hershkovits’s increasingly interesting discography includes work with the trumpeter Avishai Cohen and the saxophonist Oded Tzur: he appeared on the latter’s recent excellent ECM sessions Here Be Dragons (2020) and Isabela (2022).

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The 18 rippling yet cleanly rendered, spacious and diversely cast pieces of Call On The Old Wise – all Hershkovits originals apart from Molly Drake’s Dream Your Dreams and Ellington’s Single Petal Of A Rose – evince both a wide-ranging, most patient – and painterly – sensibility and a quality of dynamics and touch that speaks of a refined knowledge of jazz history (hear Rose, the swinging Of Mentorship and the archetypal River Wash Me) as well as a classical literacy of both a rococo and impressionist nature.

It’s hard not to think of Debussy and Ravel during Enough To Say I Will, Placid In Africansque and In Satin, for example. Despite such precedent there’s a freshened sense of time, dynamics and “meaning” here, the poised, now weighted, now playful mien of a good deal of this often translucent music (hear Intermezzos Nos. 3 and 4, Mode Brilliante, A Rooftop Minuet and Late Blossom) repaying close attention.

I’d highlight further tracks but that would be to vitiate the exquisitely realised whole of this intriguing – and recommended – recital.

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Discography
Call On The Old Wise; Enough To Say I Will; Mode Antigona; Of Trust And Remorse; Intermezzo No. 3; Majestic Steps Glow Far; Dream Your Dreams; Placid In Africansque; Mode Brilliante; Single Petal Of A Rose; A Rooftop Minuet; Late Blossom; Intermezzo No. 4; In Satin; This You Mean To Me; Of Mentorship; For Suzan; River Wash Me (50.08 )
Nershkovits (p). Lugano, June 2022.
ECM 551 5448

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