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1334 articles

Jazz Journal

JJ 02/75: Stanley Clarke

Fifty years ago Barry McRae heard only monotony, stiffness, insensitivity and cleverness over content in Clarke's compositional style but admired his flamenco bass playing

JJ 02/75: Gary Burton/Eberhard Weber – Ring

Fifty years ago Roger Dean thought Burton's set with Weber, Goodrick, Metheny, Swallow and Moses one of the most impressive and enjoyable of all his albums

JJ 02/75: Amalgam – Play Blackwell And Higgins

Fifty years ago Barry McRae found John Stevens and Trevor Watts' tribute to two avant-garde drummers a rocking record and a joyful affirmation of free jazz principles

JJ 02/65: Wayne Shorter – Night Dreamer

Sixty years ago Sinclair Traill found Shorter's compositions rather contrived and his tone too astringent, but he liked Reggie Workman and Lee Morgan
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JJ 02/65: Jimmy Smith – The Cat

Sixty years ago Gerald Lascelles thought The Cat one of Smith's most swinging sets, with scintillating interplay between organ and big band

JJ 02/65: Mark Murphy – That’s How I Love The Blues

Sixty years ago Sinclair Traill said don't worry if Murphy doesn't sing the downhome blues - he's a genuine jazz singer who's produced a damn fine vocal disc

Paul Higgs’ Shades of Miles, East Grinstead

Sporting a green trumpet à la Miles, Paul Higgs started his set with Milestones (the streamlined modal tune from 1958) and immediately followed it...

JJ 01/95: Joe Zawinul – The Rise And Fall Of Third Stream

Thirty years ago Derek Ansell heard Zawinul struggle to make the classical-jazz fusion work but his feet moved to the 60s soul-jazz reprises
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JJ 01/95: Jack Bruce – Cities Of The Heart

Thirty years ago Graham Colombé heard Bruce with Lowther, Heckstall-Smith and Themen proffering some effective blues singing and some avant-garde jazz before revisiting Cream tracks

JJ 01/85: Abdullah Ibrahim at Shaw Theatre, London

Forty years ago Simon Adams saw the high priest of jazz contemplation play a 70-minute piano medley before before moving to a second set including tense and powerful vocals

JJ 01/85: Kenny Wheeler – Double, Double You

Forty years ago Mark Gilbert sought solid ground in the trumpeter's compositions and improvisations, meantime taking refuge in the powerful internal logic of Michael Brecker's solos

JJ 01/85: Buddy Rich And His Orchestra at Lewisham Festival

Forty years ago Pete Gamble found the Rich big band high on preci­sion and power but lacking in the solo department except for the leader, whose press rolls still seemed impossible to execute
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