JJ 08/74: Jan Garbarek – Witchi-Tai-To & Red Lanta

Fifty years ago Roger Dean was sorely disappointed by two releases from the Norwegian saxophonist who became a touchstone for Nordic cool. First published in Jazz Journal August 1974

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Jan Garbarek/Bobo Stenson Quartet: Witchi-Tai-To – This LP was made only a week after Garbarek had been in the studio with Art Lande for another ECM date, and it shows him again as a rather indiscriminate imitator of other reedmen, with little in­dividuality. The main style heard here, but not with Lande, is that of the high-intensity, but slowly and sentimentally gushing lyricist (such as Gato Barbieri in recent days). It’s a rather trite and unconvincing effect. Bobo Stenson seems less ad­venturous than on his own trio LP for ECM, but there are occasional nice Tynerish bitonal runs. Most of the solos are stultified by the monotonous rhythmic environment provided by Christensen, and by the limited material. Even Don Cherry’s theme Desireless is given an uninteresting rendering, though Danielsson, who plays quite force­fully throughout, contributes a use­ful theme, Kukka. A rather unsatis­fying record.

Discography
Kukka; A.I.R.; Hasta Sempre; Witchi-Toi-To; Desireless (46 min)
Jan Garbarek (sop/ten); Bobo Stenson (pno); Palle Danielsson (bs); Jon Christensen (dm). Oslo 27-28/11/73.
(ECM 1041 £2.85)

Art Lande/Jan Garbarek: Red Lanta – Pleasant though this album is, it’s unfortunately totally derivative and unimaginative. Some accomp­anying blurb suggests that the American Lande ‘can bear com­parison with Corea and Jarrett’, but, honestly, he’s a very pale shadow of either man, and he has little of his own. The chord se­quences of his themes are very repetitive (a closely similar succes­sion of major seventh chords oc­curs in three tunes), and after the superficial pleasure of the senti­mental tunes, little of substance remains. Garbarek is a versatile perfor­mer, but he also lacks individuality – mostly he’s like Joe Farrell with the early Return to Forever, and even on bass-sax he sounds un-distinctive. I’m afraid this is one of the first disappointments from ECM. As always, beautifully recorded and produced.

Discography
Quintenaissance; Velvet; Waltz For A; Awakening-Midweek; Verdulac; Miss Fortune; Medley; Open Return-Canción del Momento; Meanwhile; Cherifen Dream of Renate (51 min)
Art Lande (pno); Jan Garbarek (flt/sop/bs-sax). Oslo 19-20/1 1/73.
(ECM 1038 £2.85)