Trumpeter Jeremy Pelt, born in California in 1976, belongs to the post-modal mainstream. He’s worked with Ravi Coltrane, Roy Hargrove, Greg Osby, and Cassandra Wilson, and dedicates his new album to Roy Hargrove, who died recently.
I first heard Pelt live at the 2018 Bergamo festival, where he delivered an exhilarating set, leading a superb band that included the pianist on the present album, Victor Gould. The material on that set was relatively conservative, but totally involving – by which I mean it was in state-of-the-art postbop mode, with roots in Miles Davis’s later 60s acoustic style. This album is more exploratory, but equally compelling.
It’s an LP-length CD, and only half of that features music dedicated to the artist in question, Auguste Rodin (1840-1917). The Rodin Suite comprises the first five tracks, and is inspired by sculptures at Paris’s Musée Rodin, and is the most ambitious music on this release. Here, Pelt rings the musical changes – L’Appel Aux Armes begins with gently flowing piano and marimba by Victor Gould and Chien Chien Lu, then Frank LoCrasto appears on Fender Rhodes and Lu switches to vibraharp. On I Sol Tace, Pelt’s trumpet lines are treated by wah-wah and delay. The brief Dignity And Despair, inspired by Rodin’s The Burghers Of Calais, is melancholic. Epilogue begins with solo bass, and features muted trumpet and LoCrasto’s Rhodes. The four subsequent tracks are in Pelt’s state-of-the-art postbop with Miles Davis 60s roots.
The overall result is an immensely enjoyable recording by one of the major contemporary trumpet players.
The Rodin Suite: Part One: L’Appel Aux Armes / Part Two: Dignity and Despair / Part Three: I Sol Tace / Part Four: Camille Claudel / Part Five: Epilogue; Ceramic; Feito; Watercolors; As Of Now (46.40)
Pelt (t); Victor Gould (p); Frank LoCrasto (elp); Chien Chien Lu (vib, mar); Vicente Archer (b); Allan Mednard (d); Ismel Wignall (pc). New York, September 2018.
High Note Records HCD 7325