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JJ 09/65: The Moody Blues – The Magnificent Moodies

Sixty years ago, Gina Wright noted that while the Moody Blues weren't playing jazz or strictly even blues they represented the better type of R&B heard around the clubs of the time. First published in Jazz Journal September 1965

The Moody Blues are a group who have achieved some fame on the current R&B scene. They play a mixture of soulful music and rhythm and blues, but with a strong ‘pop’ music influence. It would be wrong to say that this is jazz or even the blues, but it does represent the better type of R&B which is being played around the clubs at present. They play a variety of instruments, all reason­ably well and their sound is powerful and rhythmic with a surging heavy beat. The co­ordination of the group is competent and the solos are inventive, particularly those by pianist Mike Pinder.

This is their first album, and taking everything into consideration it is not a bad effort. A lot of thought seems to have gone into the choosing of the well varied mater­ial. I found the interpretation of the late Sonny Boy Williamson’s Bye Bye Bird to be the most interesting number, with Denny Laine’s har­monica playing building to an effective climax. If not a record for the blues purists, it should appeal to the enthusiasts of the current vogue of rhythm and blues.

Discography
I’ll Go Crazy; Something You Got; Go Now!; Can’t Nobody Love You; I Don’t Mind; I’ve Got A Dream (18½ min) – Let Me Go; Stop; Thank You Baby; It Ain’t Necessarily So; True Story; Bye Bye Bird (15 min)
(Decca LK 4711 12inLP 32s.)

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