Paris, Pietro: Folk Traffic
They say : Folk Traffic is a musical ensemble exploring the intersection of improvisation and composition, blending formal structures with dynamic sonic dialogue. Born from a long-standing collaboration, the project is evolving toward new compositional directions. Each piece features an evocative title that plays with the relationship between two words, separated by a comma, creating new meanings. This abstract approach lies at the heart of the project, revealing connections between contrasting elements and expressing human interaction through music. (Encore Music Label)
Paulsberg, Hanna: Himmel over Hav
They say : Saxophonist Hanna Paulsberg is joined by Oscar Gönberg, piano, Hans Hulbækmo, drums, Trygve Fiske, bass and Elin Rosseland on vocals for this collaboration. Paulsberg moves effortlessly between musical genres in her many projects – from the pop/soul/jazz trio GURLS, which she co-founded and writes for, to the quartet Flukten, whose sound blends free jazz and folk influences. She’s also part of a Dexter Gordon tribute with Karin Krog. The Hanna Paulsberg Concept here releases its fifth album, Himmel over Hav (Sky over Ocean), featuring legendary Norwegian vocalist Elin Rosseland as a special guest. (Grappa GRCD4819)
Perelman, Ivo and the Matthew Shipp String Trio: Armageddon Flower
They say : Four pillars of the creative music scene have created an epic piece of avant-chamber music: Saxophonist Ivo Perelman is joined by the Matthew Shipp String Trio with Shipp on piano, Mat Maneri on viola and bassist William Parker. The four collective pieces are a four-way conversation in which parallel streams become oceans of sound, only to be distilled into isolated rivulets once again. (TAO Forms)
Peterson, Oscar: Anita O’Day Sings For Oscar
They say : Anita Sings for Oscar was originally released under the title Anita Sings the Most. It contained eleven tracks that were recorded in a studio in Chicago on January 31, 1957, backed by the legendary pianist Oscar Peterson’s trio featuring guitarist Herb Ellis and bass giant Ray Brown. Anita’s most enduring collaborator, drummer John Poole was also on hand for the date. (Waxtime 771664 LP)
Peterson, Oscar: Night Train
They say : ‘Night Train’, an album that puts in evidence the perfection of the legendary Oscar Peterson Trio featuring bassist Ray Brown and drummer Ed Thigpen. One of Peterson’s most highly rated recordings, it Includes the original version of Oscar’s ‘Hymn to Freedom’, recognized as one of his most significant compositions, written in 1962 and swiftly embraced as the anthem of the Civil Rights Movement. (Jazz Wax 771834 LP)
Peterson, Oscar: The Jazz Soul Of Oscar Peterson
They say : The Jazz Soul of Oscar Peterson is a 1959 LP by the Oscar Peterson Trio with bassist Ray Brown and drummer Ed Thigpen, described by AllMusic as “a swinging, straight-ahead affair featuring superb playing throughout. Oscar Peterson – piano, Ray Brown – bass, Ed Thigpen – drums. Chicago, July 21 & August 1, 1959. Produced by Norman Granz. (Waxtime 771800 LP)
Peterson, Oscar: Pastel Moods
They say : We could not think of a better title for this one – as Oscar’s in perfect form, crafting lightly shaded tones on the keys – and working with the guitar/bass drumless trio format that made his work so fluid in the 50s. The album is as seductive as its title and beautiful cover, and the performances on such tunes as ‘You Go To My Head’, ‘Angel Eyes, ‘Unforgettable’, ‘Moonglow’, and ‘I Can’t Get Started, are pure magic. (Pan Am Records 9152270 LP)
Peterson, Oscar: Vocal Styling Of
They say : In 1953 Oscar Peterson taped an entire extended vocal session, which was issued first as a 10” LP titled Oscar Peterson Sings and later expanded into a 12-inch LP as Romance – The Vocal Styling of Oscar Peterson’, adding some isolated vocal recordings Peterson had made on mainly instrumental sessions. OSCAR PETERSON piano & vocals, BARNEY KESSEL guitar, HERB ELLIS guitar, RAY BROWN bass. Produced by Norman Granz between 1951 and 1954. (Waxtime 772370 LP)
Peterson, Oscar: The Sound Of The Trio
They say : Those who consider themselves Oscar Peterson completists should be aware of 1961 live session from the London House Sessions in Chicago, which produced five LPs, including ‘The Sound of The Trio’ (Verve Records) presented here. Oscar Peterson – piano, Ray Browm – bass, Ed Thigpen – drums. Chicago, July 1961. Produced by Norman Granz. *BONUS TRACK: Billy Boy (Traditional) from the same sessions but not included on the original LP. (Jazz Wax 4547LP LP)
Peterson, Oscar: A Jazz Portrait Of Frank Sinatra
They say : Pianist Oscar Peterson’s Frank Sinatra tribute features his legendary trio with Ray Brown and Ed Thigpen playing easy listening jazz versions of a dozen songs associated with the great singer. The album includes such highlights as ‘Come Dance with Me’, ‘Just in Time’, ‘I Get a Kick Out of You’ and ‘How About You? Not one of Oscar’s most recognized albums, but nonetheless, one deserving of a space on the shelves of Peterson and Sinatra fans. (Jazz Wax 771662 LP)
Peterson, Oscar: Plays The Richard Rodgers Song
They say : This edition of the Norman Granz produced Songbooks series with Oscar Peterson presents the complete original album “Oscar Peterson Plays The Richard Rogers Songbook” by the Oscar Peterson trio with Ray Brown and Ed Thigpen. Produced and recorded by Norman Granz in Chicago, on July 21 and August 1, 1959. As a bonus, this edition includes a bonus track – ‘Thou Swell’ from 1952 featuring Barney Kessel. (Jazz Wax 8105238 LP)
Peterson, Oscar: In A Romantic Mood
They say : Oscar Peterson’s piano is expressive yet quaint — never saying too much but never saying too little. Backed by lush string accompaniment, Peterson finds himself in a romantic mood, providing perfect understated counterpoint to the sweeping orchestral embellishments. Peterson is similar to Frank Sinatra in the way he completely devotes himself to a tune — one of the great interpreters in jazz history. (Jazz Wax JWR4577 LP)
Peterson, Oscar: Plays The Gershwin Songbook
They say : This edition of the Norman Granz produced Songbooks series with Oscar Peterson presents the complete original album “Oscar Peterson Plays the George Gershwin Songbook” (Verve MGV-2054), by the Oscar Peterson trio with Ray Brown on bass and Ed Thigpen on drums. (Pan Am Records 9152263 LP)
Peterson, Oscar: Plays The Duke Ellington Songbook
They say : The Duke Ellington-associated material mostly here consists of familiar songs, except for Mercer Ellington’s ‘John Hardy’s Wife’. Oscar Peterson – piano, Herb Ellis – guitar, Ray Brown – bass. Produced by Norman Granz Chicago, July 21-August 1, 1959. Includes a 1952 version of ‘Take The “A” Train’ with Barney Kessel filling the guitar chair. (Pan Am Records 9152287 LP)
Raja, Shez: Spellbound
They say : Widely known for his stellar work with musical legends such as Mike Stern, Randy Brecker, Trilok Gurtu and Wayne Krantz, Shez Raja is a fully-established luminary of the international jazz / funk scenes. Spellbound showcases drum icon Dennis Chambers, guitar virtuosos Guthrie Govan and John Etheridge, sitar maestro Roopa Panesar, sax sensations Tony Kofi and Vasilis Xenopoulos, UK drum stars Jamie Murray and Sophie Alloway, ethereal singing prodigy Fiza Haider, tabla guru Gurdain Rayatt, bansuri flute master Ahsan Papu, seventh-generation sarangi player Zohaib Hasan and keyboard ace Chris Jerome. Together they create a magical blend of East and West, tradition and innovation, groove and mysticism – music that pulses throughout with energy and emotion. (Gearbox RR0025)
Rietkerk, Kasper: The Happy Worrier
They say : Created with support from the inaugural Brubeck Living Legacy Prize, The Happy Worrier by award-winning Dutch saxophonist features twelve original compositions and a stellar line-up including John Parricelli and Tom Herbert, Jonah Evans and guest vocalist Rebecka Edlund. Cinematic and spacious, it blends folk-inspired melodies with rich improvisation. Dedicated to Ubuntu Music’s Martin Hummel, the album is a heartfelt tribute to mentorship, creativity and collaboration. (Kasper Rietkerk Records – KRRCD001)
Rodina: Good Company
They say : Rodina is the project of singer-songwriter Aoife Hearty and partner Joe Tatton, keys-player & co-writer from The New Mastersounds and leader of the Joe Tatton Trio, and their new album Good Company is a blend of acid jazz mixed with cosmic jazz-funk, hippy Americana vibes, soul-jazz, fusion and even a tinge of gospel, with guest musicians such as guitarist Lucas De Mulder, drummer Luke Flowers, and horn players from The Filthy Six and The Haggis Horns. (Rodina Music RODMUS018)
Rodriguez, Tito And His Orchestra: Lets Do The Bossa Nova!
They say : Singer and bandleader Tito Rodríguez was honoured for having developed his own unique singing style by the Century Conservatory of Music of New York. His orchestra won the “Gran Trofeo Award” for two consecutive years. At the peak of his popularity during the 1950s, Rodríguez was only rivalled by Tito Puente in New York’s Latin music circuit. ‘Let’s Do the Bossa Nova’ was Rodríguez only full incursion into Brazil’s most popular genre (Jazz Samba 709114 LP)
Roig, Kemuel: Dos Almas
They say : Dos Almas is a captivating solo piano album by acclaimed Cuban-American pianist and composer Kemuel Roig, blending classical finesse with the soul of Latin jazz. With echoes of Gonzalo Rubalcaba and Keith Jarrett, Roig reimagines Cuban standards alongside original works. His expressive touch and rich harmonic language guide a deeply emotional journey, honoring Cuba’s musical heritage. Dos Almas is a refined, heartfelt statement for listeners who appreciate both jazz and classical artistry. (Life In Music Label LIM-59312)
Rouse, Charlie: Cinnamon Flower
They say : The Charlie Rouse Band’s vibrant 1977 Brazilian jazz classic Cinnamon Flower gets a deluxe reissue from Resonance Records. Featuring Rouse’s 11-piece star-studded group – with Claudio Roditi, Dom Salvador, Ron Carter, and Portinho, among others – the album will be issued in its originally released version and in its never-before-heard original form, without overdubbing, as it was engineered by Resonance founder and co-president George Klabin. The album also includes an unreleased bonus track “Meeting House.” (Resonance Records)
