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Sam Newbould: Homing

Alto-toting Englishman in Hilversum leads a sextet in tunes with a hard-bop harmonic sensibility and swing and rock rhythms

Inspiration comes from the strangest places. Alto saxophonist Sam Newbould, Englishman in Amsterdam, temporarily took affectionate care of a pigeon. It was supposedly a Polish bird, a detail indicating that wit and a refreshing lack of intellectual bragging is at the heart of Newbould’s personality, assuming he agrees that the pigeon is the most obnoxious creature of the big city’s fauna besides rats.

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Perhaps the only thing missing in his background story is the admission that it was a carrier pigeon that mistook the alto saxophonist for a guest worker and made a U-turn to Krakow with the love letter in his claw.

Newbould moulds metaphors about home and being abroad from his animal-friendly and bittersweet adventures. His musical quips are a strong point, though not the overpowering and certainly not the only alluring aspect of Homing. I imagine that the title track, linking a jagged staccato melody with a hip-hop beat, reflects the gait of a truly weirdo pigeon.

At the core of it though is Newbould’s soft-hued, understated sax – he’s fantastic throughout the album at playing tenderly and in a whisper, lacing his tone with sandpaper slurs, as opposed to his good but more generic “hard” solos – suggesting a serenade not only to a cuckoo but places of birth and loved ones.

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Melancholia, in short, matches his wit. Anglesey is a case in point, an indie ballad of sorts, jazzed-up Portishead if you will, leavened by the featherlight, simultaneously rendered pinpricks of alto and Bernard van Rossum’s tenor. At the same time, Newbould and his tight-knit band, which also features the extrovert and gifted Xavi Torres on piano and Wurlitzer, provides upbeat post-bop, notably his homage to Thelonious Monk, Twinkle Twinkle.

Odd Jobs develops from cartoon soundtrack into a sassy line that bites its own tale, a cyclic movement that builds in suspense through extraordinary interplay and Guy Salamon’s ever-so-subtle drum patterns. In my book the album’s highlight and a demonstration of Newbould’s progressively imposing writing skills.

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Discography
Barba Tenus Sapientes; Below The Elbow; Anglesey; Homing; Little Boy Ghost; Odd Jobs; BTE Reprise 1; Believe You Me; Twinkle Twinkle; BTE Reprise 2; Dog Dance (54.32)
Newbould (as); Bernard van Rossum (ts); Xavi Torres (p, syn, Wurlitzer); Jort Terwijn (b); Guy Salamon (d, pc); Beth Aggett (v); Hilversum, 2023. 
ZenneZ 2024011

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