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Fergus McCreadie: Forest Floor

Scottish pianist treads the leaves and mulch in contemplation and awe, inspired to play repeated phrases which he often develops with a crescendo

Pianist and composer Fergus McCreadie continues his Caledonian rural ride in this third trio album, very much a continuation of the terrain crossed in Cairn, the previous one. The eponymous forest floor here is not the bottom line of a place imagined by the Brothers Grimm in Little Red Riding Hood and The Frog Prince and entered at one’s peril; it’s a place trodden in contemplation and awe.

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McCreadie’s Scots credentials are again upfront in compositions that at slower tempo are songs without words, often employing the short repeated phrase that would work like a drone were it not arpeggiated. Glade is a good example, being set up by a rocking ostinato that locks the musico-pictorial vision into undivided contemplation, as glades on a good day are apt to encourage.

McCreadie is a busy pianist given to instinctive self-restraint, often in the interest of the tasteful precision displayed by drummer Stephen Henderson and bassist David Bowden and typical of the magical Morning Moon, a chart in which the piano urges both into creative ornamentation.

Those tunes are folk-influenced. In The Unfurrowed Field, Bowden soon explores possibilities before another McCreadie recurrent figure sets up a crescendo (properly a growing intensity) – his trio loves them – before Bowden comes back at the end with a neat restatement of the tune first delivered by the piano. A crescendo is central to the arc-like The Ridge and to its final lap before things quieten. Such dynamics are McCreadie specialities.

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On the forest floor it’s not all eyes down: ears are peeled. Landslide is almost a mouvement perpétuel, indicating an event that’s far off if it can be seen at all; its modulation at 3.50 cleverly marks a harmonic change of direction maybe mirrored in the event itself as the slip slides away to give someone else the jitters. It’s a more animated form of the impressionism in the ruminative tremolo of Forest Floor and reprised in the skedaddle of White Water.

Discography
Law Hill; The Unfurrowed Field; Morning Moon; Landslide; Forest Floor; The Ridge; White Water; Glade (54.47)
McCreadie (p); David Bowden (b); Stephen Henderson (d). Hastings, 6-8 July 2021.
Edition EDN 1197

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