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Ill Considered: Liminal Space

English improvising band blows up a maelstrom of free jazz, klezmer, hard bop, punk and other music, with interludes of surprising beauty

This London improv outfit is both ferocious and prolific, releasing about a dozen albums since 2017. They include several live recordings – and a rather menacing Christmas album – seeped in influences from free jazz to klezmer, hard bop to punk, North Africa to South Asia.

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Billed as their first “fully produced studio album”, Liminal Space doesn’t sound radically different. Like most of its predecessors, it’s a magnificent maelstrom with interludes of surprising beauty. This time, the band features a new core trio augmented by nine guests.

The album starts and ends with brooding echoes of Bowie’s final Blackstar. In trademark Ill Considered style, lead track First Light starts on a smouldering meditative note that slowly grows into a conflagration before dying down again.

The centrepiece is the elegant 10-minute Pearls, led by the entwining saxes of bandleader Idris Rahman and guest Kaidi Akinnibi. Flautist Tamar Osborn adds a tinge of Bolero, underpinned by subtle work on tabla by Sarathy Korwar, Liran Donin on bass and Emre Ramazanoglu on drums. This track too starts slow and builds to a crescendo, but a more restrained, finely shaded one than most of the full-blast explosions here. Elsewhere, repeated blasts of angry noise eventually sound facile and a bit tiresome.

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Dervish is one of punkiest tracks, with Rahman on brash sax and an organ that mimics a wah-wah guitar before reaching a resolution of sorts. Light features in-your-face screaming sax, while Knuckles, as the name suggests, is pugilistic and aggressive. At best these tracks are cathartic and ecstatic, but a little of that extreme intensity goes a long way and ought to be used sparingly.

Rahman’s sax is almost always the focus, ranging from a conversational, narrative style to almost strident insistence, with familiar nods to Coltrane, Rollins and Sanders. Ramazanoglu’s nimble work on drums and percussion is a consistent pleasure: funky, propulsive and infectious.

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Discography
First Light; Sandstorm; Loosed; Dust; Dervish; Pearls; Light Trailed; Knuckles; The Lurch; Prayer (61.13)
Idris Rahman (s, f, cl, bcl, org); Tamar Osborn (f); Robin Hopcraft (t); Theon Cross (tu); Ahnanse, Kaidi Akinnibi (s); Ralph Wylde (vib); Leon Brichard, Liran Donin (b); Emre Ramazanoglu (d, davul, pc); Sarathy Korwar (tab); Ollie Savill (pc). London, 2021.
New Soil

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