1294 articles
Jazz Journal
JJ 10/84: Molde International Jazz Festival, Norway
Superlatives are notorious in jazz criticism, but Molde really is a very special event in the jazz calendar. What musicians and fans alike appreciate...
JJ 10/94: Gail Thompson – Gail Force
Gail Thompson has assembled a very useful big band and together with Andy Macintosh provided some good tunes for it to play. The fortunate...
JJ 10/94: Cassandra Wilson – Blue Light ’Til Dawn
An interesting mixture of sources here: R&B, blues, folk, rock and popular - and also some original material. To all the songs on this...
JJ 10/84: Allan Holdsworth – Road Games
Among Allan Holdsworth's references are jobs with Tony Williams' Lifetime, Soft Machine, Bill Bruford and John Stevens. In recent years he has led his...
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JJ 10/84: The Guest Stars
Women have barely impinged on jazz except as vocalists and pianists; the guest stars are living proof of the stupidity of this situation. Over...
JJ 10/84: The Jazz Doctors
Last year, Charles Alexander of the International Jazz Federation brought two of America's better known jazz educators to London's Goldsmiths' College to hold a...
JJ 10/74: Michael Mantler – No Answer
This LP is a setting of words from 'How It Is' (1964) by Samuel Beckett, interspersed with instrumental passages. Extensive use of multi-tracking allows...
JJ 10/74: Previn fiasco at Q.E. Hall
As the final concert of this year's South Bank Summer Music season, on August 24th, Andre Previn and a ten-piece band were advertised to...
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JJ 10/74: Miles Davis – Big Fun
By-passing 'Bitches' Brew' I thought I had finally lost Miles Davis somewhere around 'On the Corner'. I should have known better: people of Miles's...
JJ 10/64: The birth of the BBC’s Jazz 625
Sixty years ago Jazz Journal welcomed the arrival of BBCTV's Jazz 625 series, which would turn out to be historic. It's been variously reshown, but why not now in place of endless TOTP, Queen and Bowie reruns? First published in Jazz Journal September 1964
JJ 10/64: Hank Mobley – No Room For Squares
Sixty years ago Mark Gardner welcomed Mobley's new album as a hard-driving mainstream-modern antidote to the new wave. Odd assessment of Hancock and Hill, though. First published in Jazz Journal September 1964
JJ 10/64: Bill Le Sage – New Directions In Jazz
If you listen to young jazz publicists you might be persuaded that the nominal boundaries between jazz and classical are only now being breached. But 60 years ago Mark Gardner heard Bill Le Sage effectively blending 12-tone composition, cellos and jazz soloists
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