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JJ 04/62: The Montgomery Brothers – Groove Yard

Sixty years ago Sinclair Traill thought Wes best on the swingers and a little too flowery on the ballads - typical of what he called 'a modern trend'. First published in Jazz Journal April 1962

There is no doubt that Wes Mont­gomery is an astounding guitarist. His technique is enormous and without the use of a pick he is able to play some most unusual chords and progressions.

I must admit to liking him best on the swingers. He gets a big round tone from his instrument and he fairly kicks the beat along. In the ballads he gets a little too flowery for my ears, but it is a modern trend, and certainly Wes is al­ways in perfect control of what he is doing and he never gets over sugary.

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Brother Buddy is usually heard on vibes, but here he turns his attention to the piano. His style is modern, sparse-noted, but swinging, and he is a superb accom­panist for his brother’s guitar solos. Monk is a fine strong bass player who, together with drummer Thomas, holds the beat with rigid attention.

The group sound as if they had been playing together for a long time – the music is natural, relaxed and for the most part very melodious.

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Discography
Back To Back; Groove Yard; If I Should Lose You; Delirium (19 min) – Just For Now; Doujie; Heart Strings; Remember (19) min)
Wes Montgomery (g); Buddy Montgomery (p); Monk Montgomery (bs); Bobby Thomas (d). New York, 3/1/61. Riverside RLP 362 12inLP 41s

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