1334 articles

Jazz Journal

JJ 05/84: David Sanborn – Backstreet

Forty years ago Mark Gilbert hailed the slimmed-down arrangements and vitality of the saxophonist's latest album

JJ 05/74: Dave Brubeck – Two Generations Of Brubeck

Fifty years ago Barry McRae heard Brubeck's sons rockily updating the old man and liked solos from Chris B, Perry Robinson and Jerry Bergonzi

JJ 05/74: Return To Forever at The Rainbow, London

Fifty years ago Roger Dean wasn't very keen on Chick Corea's jazz-rock, wishing he were at a Circle concert

JJ 05/64: George Russell – The Stratus Seekers

Sixty years ago Mark Gardner feared neurotic music of the Russell variety would have jazz clubs empty and unsold albums gathering dust
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JJ 05/64: Stan Getz – and closing night at the Marquee

Sixty years ago Michael Shera attended the last gig at the Marquee club at 165 Oxford Street and saw why US jazz beat the UK variety

JJ 05/64: The Bird Speaks

Sixty years ago Mark Gardner provided a shrewd 1950 interview with Charlie Parker, apparently never before published

JJ 05/64: In My Opinion – Gus Johnson

Sixty years ago the Kansas City big-band drummer reflected on Jay McShann, Hines, Ellington, Basie and more

Marco Marzola Trio at Spike’s Place, Beckenham

Graham Thomas saw the London-based Italian bassist lead his trio on tunes including Satin Doll, Caravan, Estate and My Little Suede Shoes
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Shirley Smart Trio at the Watermill, Dorking

It was some way from the usual jazz fare, but the audience enjoyed cellist Smart's exotic North African sounds. Report by Graham Thomas

JJ 04/94: Pinski Zoo – De-Icer

Thirty years ago Barry McRae heard in punk-jazz band Pinski Zoo the most positive European manifestation of Ornette Coleman's Prime Time

JJ 04/94: Wynton Marsalis – Wynton Marsalis

Thirty years ago Simon Adams enjoyed re-hearing the young trumpeter at a stage before he became entangled in retrospection

JJ 04/84: Required Writing: Miscellaneous Pieces 1955-1982

Forty years ago Simon Adams delighted in the literary prowess if not judgement that Philip Larkin applied to modern jazz in the Telegraph
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